Piano Sonata《鋼琴奏鳴曲》 Piano Solo - Digital Sheet Music

SKU: A0.961989

樂曲簡介 《鋼琴奏鳴曲》 本樂曲1974年春天完成於德國雷根斯堡，全曲共分三個樂章，聆賞者可以感覺到各個樂章不同的曲趣與變化。 第一樂章是莊嚴的稍快板，奏鳴曲形式。第一主題莊嚴而有力，為雙元性動機，由其中一動機導出柔和悠揚的副題；全樂章在兩個對立性的主題間交錯展開。 第二樂章為自由曲式，以歌謠風的慢板展開簡短的序，有如詩歌朗誦般。正題樂句隨著吟唱進入，可分為四段，段與段以部分共同的動機串連，一氣呵成。 第三樂章為詼諧活潑、輕巧的快板，節奏變化的幅度帶給人不同的情趣，時而詼諧、輕巧，時而嚴肅、激動，時而引頸高歌，多元情趣的變化並未曾影響到樂念的連貫，這是本章的特性，同時亦是全曲的沸點。 ※本曲世界首演於德國雷根斯堡，由德國名鋼琴家Prof. K. Pfeiffer演奏，台灣首演由鋼琴家許子珍擔任演奏。 1. Piano Sonata The piece was completed in Regensburg, Germany in spring 1974. It comprises three movements in different characters, which can be easily identified by the audience. The first movement, Allegro con brio, is in sonata form. The first theme is majestic and powerful with dualistic motifs, one of which leads to the mild subordinate theme. The unfolding of the whole movement is based upon the contrast between the two themes. The form of the second movement is freer. The slow song-like introduction is like poem-reciting, and the main theme follows it. The movement comprises four sections, which are coalesced by the common motifs among them. The last movement is Scherzo - Allegro Vivace. The ample width of its rhythmic change brings different shades of delight, sometimes witty, brisk; sometimes majestic, agitated, throaty, etc. Nevertheless, the diversity never eclipses the musical coherence. It is the characteristic, as well as the very highlight, of the piece. The pianist in the world premiere in Regensburg was Prof. K. Pfeiffer, and the first public performance of this piece in Taiwan is presented by the pianist Hsu Tzu-Chen.