Piano Concerto No. 1 E-Flat Major Piano and Piano Reduction by Franz Liszt Piano Accompaniment - Sheet Music

By Franz Liszt

The fact that Franz Liszt wrote two piano concertos tailored to his own abilities is nothing unusual for one who was perhaps the greatest pianist in the history of music. In the 19th century such concertos were by all means expected of every piano virtuoso as “visiting cards”. But it is astonishing that Liszt’s concertos (apart from a few sketches and ideas) were not written in his early virtuoso period in Paris, but during his Weimar years. Thus the premiere of his 1st Piano Concerto in E flat in fact only took placein 1855. The process of maturing as a composer which Liszt had undergone up to that point in his symphonic poems is evident in this concerto, with its colourful orchestration and innovative formal conception of four interlinking, motivically-interwoven movements. The 1st Piano Concerto remains a firm staple of the piano repertoire today. This Urtext edition describes the protracted genesis andrevision of the concerto, examines the large number of surviving manuscript and printed sources, and offers a reliable musical text of the composer;s final version. The brilliant pianist Claire Huangci, who regularly performs Liszt’s works, has contributed the fingering.

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Details

Instrument:
Piano Accompaniment Piano Solo
Genres:
Romantic Period
Composers:
Franz Liszt
Publishers:
G. Henle
Series:
Henle Urtext
Format:
Reduction Collection / Songbook
Item types:
Physical
Musical forms:
Concerto
Artist:
Franz Liszt
Usages:
School and Community
Shipping Weight:
1.46 pounds

Piano Duet (Piano)

SKU: HL.51480940

Piano and Piano Reduction. Composed by Franz Liszt. Edited by Dominik Rahmer. Henle Music Folios. Classical. Softcover. G. Henle #HN940. Published by G. Henle (HL.51480940).

The fact that Franz Liszt wrote two piano concertos tailored to his own abilities is nothing unusual for one who was perhaps the greatest pianist in the history of music. In the 19th century such concertos were by all means expected of every piano virtuoso as “visiting cards”. But it is astonishing that Liszt’s concertos (apart from a few sketches and ideas) were not written in his early virtuoso period in Paris, but during his Weimar years. Thus the premiere of his 1st Piano Concerto in E flat in fact only took placein 1855. The process of maturing as a composer which Liszt had undergone up to that point in his symphonic poems is evident in this concerto, with its colourful orchestration and innovative formal conception of four interlinking, motivically-interwoven movements. The 1st Piano Concerto remains a firm staple of the piano repertoire today. This Urtext edition describes the protracted genesis andrevision of the concerto, examines the large number of surviving manuscript and printed sources, and offers a reliable musical text of the composer;s final version. The brilliant pianist Claire Huangci, who regularly performs Liszt’s works, has contributed the fingering.

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