Orphée aux enfers Overture by Jacques Offenbach Concert Band - Sheet Music

By Jacques Offenbach

'Orphée aux enfers' (Orpheus in the Underworld), is a comic operetta composed by Jacques Offenbach. The operetta is an irreverent parody and scathing satire on Gluck and his 'Orfeo ed Euridice' and culminates in the risqué 'Galop infernal' which is famous outside classical circles as the music for the can-can (to the extent that the tune is widely, but erroneously, called 'can-can'). This 'Galop' shocked some in the audience at the premiere. The overture made prominent use of the operetta's best music, most obviously the concluding can-can. This overture rapidly gained popularity on its own account, and it remains a favourite piece for orchestral concerts.

Print edition
$156.21
$216.95
You save: $60.74 ~ 28%

WELCOME20 activated

Ships in 4 to 6 weeks
Special order item, ships once received from publisher.
Quantity
1
Get a 10% discount with SMP Plus subscription

Details

Ensembles:
Concert Band
Genres:
Romantic Period Operetta
Composers:
Jacques Offenbach
Publishers:
Baton Music
Format:
Set of Parts Score and Parts
Item types:
Physical
Level:
Grade 4
Artist:
Jacques Offenbach
Usages:
School and Community
Shipping Weight:
0.34 pounds

Concert band Symphonic Band - Grade 4

SKU: BF.BM818-SET

Overture. Composed by Jacques Offenbach. Arranged by Jos Dobbelstein. Baton Music Orchestral Series. Overture. Full Score and set of parts. Baton Music #BM818-SET. Published by Baton Music (BF.BM818-SET).

'Orphée aux enfers' (Orpheus in the Underworld), is a comic operetta composed by Jacques Offenbach. The operetta is an irreverent parody and scathing satire on Gluck and his 'Orfeo ed Euridice' and culminates in the risqué 'Galop infernal' which is famous outside classical circles as the music for the can-can (to the extent that the tune is widely, but erroneously, called 'can-can'). This 'Galop' shocked some in the audience at the premiere. The overture made prominent use of the operetta's best music, most obviously the concluding can-can. This overture rapidly gained popularity on its own account, and it remains a favourite piece for orchestral concerts.