Nun komm, der Heiden Heiland, BWV 61 Cantata for the First Sunday of Advent by Johann Sebastian Bach Bassoon Solo - Sheet Music

By Johann Sebastian Bach

Bach began two of his cantatas with Martin Luther`s Advent hymn ,,Nun komm, der Heiden Heiland", a German version of the early church hymn ,,Veni redemptor gentium". One of the most gripping solo parts; (following the pattern recitative - aria - recitative - aria) is the bass recitative on the words of the Revelation, with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment. Equally captivating is the following soprano aria, which ,,opens ist heart"upon the Savior`s ,,knocking"in a melody full of the cheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively, bustling violin part, which ultimately soars upward to breathtaking heights.

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Details

Instrument:
Bassoon Solo
Genres:
Christmas Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Baerenreiter Verlag
Series:
Barenreiter Urtext Orchestral Parts
ISBN:
9790006490240
Item types:
Physical
Musical forms:
Cantata
Series levels:
Barenreiter Urtext Edition
Artist:
Johann Sebastian Bach
Usages:
Advent
Size:
12.8 x 10.04 inches
Number of Pages:
4
Shipping Weight:
0.06 pounds

Bassoon

SKU: BA.BA10061-43

Cantata for the First Sunday of Advent. Composed by Johann Sebastian Bach. Edited by Alfred Durr. This edition: urtext edition. Folded. Barenreiter Urtext. Single part. BWV 61. 4 pages. Baerenreiter Verlag #BA10061-43. Published by Baerenreiter Verlag (BA.BA10061-43).

ISBN 9790006490240. 12.8 x 10.04 inches.

Bach began two of his cantatas with Martin Luther`s Advent hymn ,,Nun komm, der Heiden Heiland", a German version of the early church hymn ,,Veni redemptor gentium".

One of the most gripping solo parts; (following the pattern recitative - aria - recitative - aria) is the bass recitative on the words of the Revelation, with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.

Equally captivating is the following soprano aria, which ,,opens ist heart"upon the Savior`s ,,knocking"in a melody full of the cheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively, bustling violin part, which ultimately soars upward to breathtaking heights.

About Barenreiter Urtext Orchestral Parts

Why musicians love to play from Bärenreiter Urtext Orchestral Parts

- Urtext editions as close as possible to the composer’s intentions
- With alternate versions in full score and parts
- Orchestral parts in an enlarged format of 25.5cm x 32.5cm
- With cues, rehearsal letters, and page turns where players need them
- Clearly presented divisi passages so that players know exactly what they have to play
- High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through