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Moment Musical
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20700075
Copyright Material for Preview Only - Sheet Music Plus
Clarinet solo
SKU: BR.EB-8919
And 2 Additional Solos from the Stage Music for the Play “Night Music” by Clifford Odets. Composed by Hanns Eisler. Edited by Heinrich Mätzener. Solo instruments; stapled. Edition Breitkopf. Stage/film Music; Early modern; Music post-1945. Score. 8 pages. Breitkopf and Haertel #EB 8919. Published by Breitkopf and Haertel (BR.EB-8919).
ISBN 9790004185858. 9 x 12 inches.
Night Music The clarinet in Clifford Odets's comedy "Night Music" is directly involved in the stage plot: it is played by the main character and characterizes his moods and actions. The composer Hanns Eisler's estate contains several clarinet solos coming from the play's context; the most challenging of these is the Moment Musical (called that only later), evidently deleted by the composer in favor of alternatives that were easier to play. Two such alternatives are reproduced in the appendix to this first edition. All three works are suitable for pedagogical practice as well as for concert performance, thanks to their sometimes brilliant, sometimes pensive musicality, together with their exemplary musical quality.
Clarinet solo
SKU: BR.EB-8919
And 2 Additional Solos from the Stage Music for the Play “Night Music” by Clifford Odets. Composed by Hanns Eisler. Edited by Heinrich Mätzener. Solo instruments; stapled. Edition Breitkopf. Stage/film Music; Early modern; Music post-1945. Score. 8 pages. Breitkopf and Haertel #EB 8919. Published by Breitkopf and Haertel (BR.EB-8919).
ISBN 9790004185858. 9 x 12 inches.
Night Music The clarinet in Clifford Odets's comedy "Night Music" is directly involved in the stage plot: it is played by the main character and characterizes his moods and actions. The composer Hanns Eisler's estate contains several clarinet solos coming from the play's context; the most challenging of these is the Moment Musical (called that only later), evidently deleted by the composer in favor of alternatives that were easier to play. Two such alternatives are reproduced in the appendix to this first edition. All three works are suitable for pedagogical practice as well as for concert performance, thanks to their sometimes brilliant, sometimes pensive musicality, together with their exemplary musical quality.
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