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23568224
Les Chasseresses (Fanfare) from Sylvia (Delibes) - Brass Band
23568224
23568224
23568224
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Mixed Percussion Alto Trombone, B-Flat Tuba, B-Flat trombone, B-flat Trombone T.C., B-flat Tuba B.C., B-flat Tuba T.C., Baritone Horn TC, Baritone Horn TC/Euphonium, Baritone T.C., Baritone/Euphonium (TC), Bass Trombone, Bass Trombone/Tuba, C Tuba, Cornet, E-Flat Cornet, E-Flat Tenor Horn, E-Flat Tuba TC, E-flat Cornet, Eb Tenor Horn, Eb Tuba T.C., Euphonium, Euphonium T.C./B.C., F Tuba, Flugelhorn, Percussion, Percussion 1, Percussion 2, Percussion I, Percussion II, Percussion Instrument, Percussion Instruments, Tenor Horn, Tenor Trombone, Timpani, Trombone, Tuba - Level 4 - Digital Download
SKU: A0.1753617
Composed by Leo Delibes. Arranged by Rob Bushnell. This edition: pdf, streaming. 19th Century, Classical, Romantic Period. Brass Band. 85 pages. Rob Bushnell #1314057. Published by Rob Bushnell (A0.1753617).Clément Philibert Léo Delibes was a French composer, best known for his ballets and operas, including works such as Lakmé (with its famous “Flower Duet”), Coppélia and Sylvia (both key works in the development of modern ballet). The latter started as a play, Aminta, by the Italian poet Torquato Tasso, which Delibes set to music. It was then adapted for the Paris Opera with rehearsals starting in August 1875. The premiere took place on 14 June 1876 and was the first ballet to be shown at the newly-built Opera Garnier. Whilst the scenery and costumes were created by top artists and designers (Chéret and Lacoste), it was Delibes's music that shown thrown, being said to have saved the production, preventing the ballet from drifting into obscurity.
Sylvia is said to be one of the first modern ballets, with Tchaikovsky remarking to composer Sergei Taneyev upon its ingenuity: “... the first ballet, where the music constitutes not only the main, but the only interest. What charm, what elegance, what richness of melody, rhythm, harmony." Although Swan Lake, a contemporary to Sylvia, is considered one of the best ballets there is, Tchaikovsky preferred Sylvia to his own work, saying Swan Lake was "poor stuff in comparison". Tchaikovsky said to Taneyev, "I was ashamed. If I had known this music early then, of course, I would not have written Swan Lake". The music to Sylvia, rather than setting only the mood, also sets the action and is noted for its use of leitmotifs – Delibes was an admirer of Wagner – and more dominant use of brass and wind. The most famous piece from this ballet is the Pizzicati in the third act.
Act I of the ballet takes place in sacred wood, where creatures are worshipping before Eros when Sylvia arrives with her huntresses to mock the god of love. Aminta, a lowly shepherd and infatuated with Sylvia, protects the deity and Sylvia is wounded by Eros’s arrow. The hunter Orion kidnaps Sylvia, whilst Eros revives Aminta. Act II takes place in Orion's Island cave, where Sylvia tries to bribe Orion with jewels and wine. Unsuccessful, she appeals to Eros for help, who arrives and takes her to the temple of Diana (where the final act takes place). Orion and Aminta fight, Sylvia and Orion cause the goddess of the hunt, Diana, to be outraged, smiting Orion and denying the love of Aminta and Sylvia. Eros shows Diana a vision, which changes her mind and the couple finally come together.
This brilliant and lively fanfare that introduces the huntresses in the first act is arranged here for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. The piece has been lowered by a tone compared to the original. A recording of the original composition can be found here on YouTube: https://youtu.be/6yoGrUH38PI?si=0L0bFa1qXnYNvkR3.
This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
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