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Organ (Soli AT, Coro SATB, 2 Ob, Corca (Ctto), 2 Vl, Va, Bc) - Grade 3
SKU: CA.3110949
Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, End of the church year. Individual part. Composed 1723. BWV 109. 24 pages. Duration 25 minutes. Carus Verlag #CV 31.109/49. Published by Carus Verlag (CA.3110949).
ISBN 9790007241452. 9 x 12 inches. Key: D minor / a minor. Language: German/English.
The cantata Ich glaube, lieber Herr, hilf meinem Unglauben (I believe, dear Lord, help my unbelief), BWV 109, composed for the 21st Sunday after Trinity in 1723, presents a dialogue between faith and doubt. While the dense opening chorus, broken up by concertante elements, deals with the conflict between faith and doubt (a mood continued in the following recitative), the first aria ("Wie zweifelhaftig ist mein Hoffen") is infused with a sense of doubt. By contast, the second recitative ("O fasse dich, du zweifeldnder Mut") and aria ("Der Heiland kennet ja die seinen") form a meditation on faith and conviction. A large-scale concluding chorale ("Wer hofft in Gott und dem vertraut") with orchestral episodes brings the cantata to a hopeful close. In addition to strings and two oboes, this work features an enigmatic chromatic brass instruments found only in Bach’s first cantata year-cycle (slide trumpet?).
Organ (Soli AT, Coro SATB, 2 Ob, Corca (Ctto), 2 Vl, Va, Bc) - Grade 3
SKU: CA.3110949
Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, End of the church year. Individual part. Composed 1723. BWV 109. 24 pages. Duration 25 minutes. Carus Verlag #CV 31.109/49. Published by Carus Verlag (CA.3110949).
ISBN 9790007241452. 9 x 12 inches. Key: D minor / a minor. Language: German/English.
The cantata Ich glaube, lieber Herr, hilf meinem Unglauben (I believe, dear Lord, help my unbelief), BWV 109, composed for the 21st Sunday after Trinity in 1723, presents a dialogue between faith and doubt. While the dense opening chorus, broken up by concertante elements, deals with the conflict between faith and doubt (a mood continued in the following recitative), the first aria ("Wie zweifelhaftig ist mein Hoffen") is infused with a sense of doubt. By contast, the second recitative ("O fasse dich, du zweifeldnder Mut") and aria ("Der Heiland kennet ja die seinen") form a meditation on faith and conviction. A large-scale concluding chorale ("Wer hofft in Gott und dem vertraut") with orchestral episodes brings the cantata to a hopeful close. In addition to strings and two oboes, this work features an enigmatic chromatic brass instruments found only in Bach’s first cantata year-cycle (slide trumpet?).
Preview: I trust you, my dear Lord, help my lack of trusting
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