Hear My Prayer O Lord (New Engraving 2013) SSAATTBB by Henry Purcell Choir - Sheet Music

By Henry Purcell

This setting of the opening to Psalm 102 was composed in the early 1680s. Purcell, who was in his early twenties, had succeeded John Blow as organist of Westminster Abbey around the beginning of the decade and his star was in the ascendant as a court composer.In this piece he pulls off a remarkable compositional coup: a single, gradual climax, lasting over two minutes and culminating on the final repetition of the word 'come', is achieved through a sublime, freely developing eight-part weave of the opening material. The harmonies that result from the chromatic inflections on the word 'crying' all serve the mounting tension in this extraordinary miniature.Studyof the autograph manuscript suggest that this anthem was intended to be the opening part of a larger work which was never completed.

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Details

Instrument:
Choir
Ensembles:
Choir
Genres:
Christian Baroque Period
Composers:
Henry Purcell
Publishers:
Music Sales
UPC:
884088922061
ISBN:
9781780382227
Format:
Collection / Songbook
Item types:
Physical
Artist:
Henry Purcell
Usages:
General Worship
Number of Pages:
7
Size:
6.5x9.75x0.045 inches
Shipping Weight:
0.6 pounds

Choral

SKU: HL.14042246

SSAATTBB. Composed by Henry Purcell. Edited by Watkins Shaw. Music Sales America. General Worship, Sacred. Softcover. 7 pages. Music Sales #NOV292369. Published by Music Sales (HL.14042246).

ISBN 9781780382227. UPC: 884088922061. 6.5x9.75x0.045 inches.

This setting of the opening to Psalm 102 was composed in the early 1680s. Purcell, who was in his early twenties, had succeeded John Blow as organist of Westminster Abbey around the beginning of the decade and his star was in the ascendant as a court composer.

In this piece he pulls off a remarkable compositional coup: a single, gradual climax, lasting over two minutes and culminating on the final repetition of the word 'come', is achieved through a sublime, freely developing eight-part weave of the opening material. The harmonies that result from the chromatic inflections on the word 'crying' all serve the mounting tension in this extraordinary miniature.

Studyof the autograph manuscript suggest that this anthem was intended to be the opening part of a larger work which was never completed.