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Composed by Various. Edited by Helmut Völkl. This edition: Paperbound. Gattungen instrumental: Free organ music. Free organ music. Collection. 80 pages. Carus Verlag #CV 40.591/00. Published by Carus Verlag (CA.4059100).
ISBN 9790007088439. DIN A4 (landscape format) inches.
While organ music of the 19th century was not highly regarded in Germany a few years ago (with the exception of a few outstanding works), our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions (at the time of publication), and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between 1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil.
Composed by Various. Edited by Helmut Völkl. This edition: Paperbound. Gattungen instrumental: Free organ music. Free organ music. Collection. 80 pages. Carus Verlag #CV 40.591/00. Published by Carus Verlag (CA.4059100).
ISBN 9790007088439. DIN A4 (landscape format) inches.
While organ music of the 19th century was not highly regarded in Germany a few years ago (with the exception of a few outstanding works), our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions (at the time of publication), and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between 1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil.
Andante con moto in F - F-Dur/F major
Communion in G - G-Dur/G major
Grand choeur en forme de marche in d - d-Moll/D minor
Lamento in c - c-Moll/C minor
Prelude fugue in G - G-Dur/G major
Praludium in D - D-Dur/D major
Fuge in D - D-Dur/D major
Andantino grazioso in G - G-Dur/G major
Elegy in d (Elegy in D minor) - d-Moll/D minor
Prelude in G (Prelude in G major) - G-Dur/G major
Chacone in B - B-Dur/B-flat major
Allegretto con grazia in B - B-Dur/B-flat major
Service Prelude in A - A-Dur/A major
Interlude in Es - Es-Dur/Eb major
Andante in D - D-Dur/D major
Aria in A - A-Dur/A major
Postlude in C - C-Dur/C major
Voluntary in G - G-Dur/G major
Carillon in D - D-Dur/D major
Prelude in Es (Prelude in E flat major) - Es-Dur/Eb major
Risoluto in A - A-Dur/A major
Lament in d - d-Moll/D minor
Tonstuck in C - C-Dur/C major
Elegy in g (Elegy in G minor) - g-Moll/G minor
Largo in Es - Es-Dur/Eb major
Grand choeur in G - G-Dur/G major
Preview: Freie Orgelmusik des 19. Jahrhunderts, Band III
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