Composed by Phil Brink. Contemporary. Score. Cherry Classics #CC2921. Published by Cherry Classics (CY.CC2921).
Exegesis is an unaccompanied solo for Bass Trombone written by American composer and Bass Trombonist Philip Brink in 1973. The work of about 4 minutes in length is appropriate for very advanced performers and requires the use of multi-phonics and other technical challenges. Below is a brief instruction to the performer from the composer. The rhythmic notation of Exegesis is fairly free; sections in traditional notation should approximate those rhythmic patterns, while arbitrarily long notes, rests or patterns should be as long as possible. The score hints at but does not make explicit any particular dramatic action or effect, which it is left to the performer to create or not. Most of the instructions are on the score and fairly easy to follow. The Beams that "crescendo" and "diminuendo" relate to acceleration or deceleration as indicated. There are odd little notes, like "secretive" in the first line - in these instances do whatever comes to mind as giving an impression of secrecy - change in volume, tone, or whatever - even a hand gesture! The composer gives detailed instructions in the score for the listener and the performer, helping with the interpretation and appreciation of this work.
Composed by Phil Brink. Contemporary. Score. Cherry Classics #CC2921. Published by Cherry Classics (CY.CC2921).
Exegesis is an unaccompanied solo for Bass Trombone written by American composer and Bass Trombonist Philip Brink in 1973. The work of about 4 minutes in length is appropriate for very advanced performers and requires the use of multi-phonics and other technical challenges. Below is a brief instruction to the performer from the composer. The rhythmic notation of Exegesis is fairly free; sections in traditional notation should approximate those rhythmic patterns, while arbitrarily long notes, rests or patterns should be as long as possible. The score hints at but does not make explicit any particular dramatic action or effect, which it is left to the performer to create or not. Most of the instructions are on the score and fairly easy to follow. The Beams that "crescendo" and "diminuendo" relate to acceleration or deceleration as indicated. There are odd little notes, like "secretive" in the first line - in these instances do whatever comes to mind as giving an impression of secrecy - change in volume, tone, or whatever - even a hand gesture! The composer gives detailed instructions in the score for the listener and the performer, helping with the interpretation and appreciation of this work.
Preview: Exegesis - Unaccompanied solo for Bass Trombone
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