Et in Terris Pacem - Score - choral setting of Edward Elgar’s Nimrod. by Edward Elgar SSAATTBB - Digital Sheet Music

SKU: A0.1783651

This choral transcription is part of a curated series adapting well-known classical works originally written for solo vocal, instrumental, or orchestral forces. Performances are available online by searching “Illumino Choir” with the title, and have been warmly received on Facebook (Choral Stream) and YouTube. Companion scores and rehearsal tracks are available as digital downloads on Sheet Music Direct and Sheet Music Plus. Suitable for church, school, and community choirs.




“Agnus Dei”
SATB choral adaptation of the Adagio from Beethoven’s Emperor Piano Concerto No. 5, Op. 73, one of the composer’s most tranquil and introspective works. This setting conveys a quiet reverence and lyrical serenity.




“Ave Maria”
SATB choral arrangement of Bach/Gounod’s Ave Maria, based on the Prelude No. 1 in C major, BWV 846. The setting highlights the purity and grace of the familiar melodic line within a rich choral texture.




“Ave Maria”
SATB arrangement based on Schubert’s Ellens Gesang III, D. 839. This timeless setting preserves the lyrical grace and heartfelt devotion of the original.




“Et in Terris Pacem”
SATB choral setting of Edward Elgar’s Nimrod. This uplifting arrangement aspires to peace, hope, and unity, capturing the noble spirit and emotional depth of Elgar’s original.




“Kyrie”
SATB choral arrangement of Edvard Grieg’s The Death of Åse from Peer Gynt. Expressive and solemn, this adaptation transforms the orchestral lament into a moving plea for mercy and compassion.




“Regina Caeli”
SATB arrangement of Pietro Mascagni’s Intermezzo, incorporating the opening choral lines of the “Easter Hymn.” Luminous and expressive, it offers a radiant prayer of joy and renewal.




“Ombra mai fù”
SATB choral setting of the renowned aria, also known as Handel’s Largo, from the opera Serse. The serene lyricism of the original is preserved in a warm, reverent choral texture.




“Panis Angelicus”
Double-choir (SATB/SATB) choral setting of César Franck’s beloved work, originally for solo voice. The expanded arrangement enriches the devotional tone with optional choral adaptations of the organ introduction, middle section, and coda.




“Lux Aeterna”
SATB choral setting of Schubert’s Impromptu No. 3 from Op. 90 (D. 899), one of his most contemplative piano works. The music unfolds with gentle radiance, reflecting themes of light and eternity.




“In Paradisum”
SATB choral setting of the Adagio from Mozart’s Clarinet Concerto in A major, K. 622. Poised and ethereal, it evokes a sense of transcendence and peaceful passage.




“Sanctus”
SATB choral transcription of J. S. Bach’s Air on the G String, from Movement II of the Orchestral Suite No. 3 in D major, BWV 1068. Gentle and flowing, it evokes an atmosphere of calm devotion and balance.