Drei Praeambula und Magnificat-Bearbeitungen für Orgel Organ - Sheet Music

Jacob Praetorius (II) (1586–1651) came from a Hamburg family of organists; from 1604 he was organist at the main church of St. Petri. He was one of the first German pupils of the Amsterdam master organist Jan Pieterson Sweelinck and was famed for his very elaborate organ compositions and his apparently effortless organ playing. Praetorius’s organ works comprise mainly Praeambulae (preludes), chorale variations, organ chorales, and Magnificat settings. The three Praeambulae and five Magnificat settings in various keys published here in critical new editions represent a genre which is associated with the repertoire sung by a Kantorei (choir) or a Schola (song school), rather than with congregational singing.

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Details

Instrument:
Organ Organ Solo
Genres:
Christmas
Publishers:
Carus Verlag
ISBN:
9790007100155
Format:
Collection / Songbook
Item types:
Physical
Usages:
Blessed Virgin Mary Magnificat
Size:
8.27 x 11.69 inches
Number of Pages:
96
Shipping Weight:
0.91 pounds

Organ

SKU: CA.1800300

Composed by Jacob Praetorius. This edition: Paperbound. Gattungen instrumental: Free organ music. Free organ music, Christmas. Collection. 96 pages. Carus Verlag #CV 18.003/00. Published by Carus Verlag (CA.1800300).

ISBN 9790007100155. 8.27 x 11.69 inches. Language: all languages.

Jacob Praetorius (II) (1586–1651) came from a Hamburg family of organists; from 1604 he was organist at the main church of St. Petri. He was one of the first German pupils of the Amsterdam master organist Jan Pieterson Sweelinck and was famed for his very elaborate organ compositions and his apparently effortless organ playing. Praetorius’s organ works comprise mainly Praeambulae (preludes), chorale variations, organ chorales, and Magnificat settings. The three Praeambulae and five Magnificat settings in various keys published here in critical new editions represent a genre which is associated with the repertoire sung by a Kantorei (choir) or a Schola (song school), rather than with congregational singing.