23068698
Die Csardasfurstin Selections [Reduced Instrumentation]
23068698
23068698
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Die Csardasfurstin Selections [Reduced Instrumentation] by Emmerich Kalman Concert Band - Sheet Music
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Die Csardasfurstin Selections [Reduced Instrumentation] by Emmerich Kalman Concert Band - Sheet Music

By Emmerich Kalman

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Concert Band (Piccolo, Flute 1, Flute 2, Oboe (optional), Bassoon (optional), Bb Clarinet 1 (div.) , Bb Clarinet 2 (div.) , Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, , Bb Trumpet 1 (doubling Flugelhorn), Bb T) - Level 4.5

SKU: BZ.Z-YDAK-A04A

Composed by Emmerich Kalman. Arranged by Eiji Suzuki. Concert & Festival. Score. Bravo Music #Z-YDAK-A04A. Published by Bravo Music (BZ.Z-YDAK-A04A).

Hungarian composer Emmerich Kalman (1882-1953) studied under Hans Kossler at the Franz Liszt Academy of Music in Budapest. After graduating he achieved acclaim with the operetta The Gay Hussars in 1908.

His operetta The Csardas Princess, in three acts, premiered on November 17, 1915, at the Johann Strauss Theater in Vienna. Kálmán went on to success with works like Gräfin Mariza and Die Zirkusprinzessin, and along with Franz Lehár, famous for The Merry Widow, he became a leading composer of the Silver Age of Viennese Operetta in the early 20th century.

Operetta, a form of theater performed since the 18th century, is characterized by its popular and entertaining elements. By the early 20th century, when Die Csardasfurstin was created, it had incorporated more show-like elements, including the use of drum sets, adding a light music aspect. Furthermore, it was common for directors to make additions or changes to the music for productions.

This arrangement by Eiji Suzuki was completed in 2008-09, conceived by Kazuhiko Tsuchiya of Tamagawa Academy Junior High School in Tokyo with the cooperation of Ken Inou of Okayama Meisei Gakuin High School. It premiered at the All-Japan Band Competition in 2009.

The arrangement faithfully adheres to the original in segments Introduction, ALLE SIND WIR SUENDER, AUS IST'S MIT DER LIEBE BEI MIR, and Finale, SYLVA! ICH WILL NUR DICH, and 'O JAG' DEM GLUECK NICHT NACH AUF MEI while cleverly reorganizing the overall structure with a free concept.

The arranger offered these performance notes:
The piece has a fast-slow-fast three-part structure. For the rapid sections with many accents and articulations, pay careful attention to tone production, aiming for a sound that resonates even in short notes. In the middle section, do not merely sing the melody but create resonance through precise ensemble playing of the accompaniment, allowing the melody to ride on top of this sound, which sings itself. Recognize the second-beat horn as part of the melody. Avoid fluctuating tempo or focusing solely on agogic accents in vocal lines, as it may disrupt the natural sustain. Remember, from the perspective of wind music, not to forget vocal resonance.

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