Das Sühnopfer des neuen Bundes WoO Passion Oratorio in three parts by Carl Loewe 4-Part - Sheet Music

By Carl Loewe

Loewe's Passion Oratorio Das"Suhnopfer des neuen Bundes"was probably composed in 1847. The work is divided into three parts, each subdivided into three sections. Each of the resulting nine scenes corresponds with one of the traditional stations of the Passion story.Loewe used the usual forms of recitative, arioso, aria, chorus and chorale in this work. He nevertheless succeeded in giving the music an absolutely personal character, yet at the same time a diversity of expression. Precisely this diversity of expression has ensured that the oratorio genre has become an important part of the sacred music repertoire in recent years.This edition takes all available sources into consideration and offers the complete material for the first time in a practical performing edition.

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Details

Format:
Vocal Score
Item types:
Physical
Musical forms:
Oratorio
Artist:
Carl Loewe
Arrangers:
Carl Loewe
Usages:
Lent
Size:
10.63 x 7.48 inches
Shipping Weight:
1.18 pounds

Soprano voice solo, alto voice solo, 2 tenor voice solos, 2 bass voice solos, SATB choir, piano (Soprano Voice Solo, Alto Voice Solo, 2 Tenor Voice Solo, 2 Bass Voice Solo, SATB Choir, 2 Violin, Viola, Cello, Double Bass, timpani) - Level 3

SKU: BA.BA07678-90

Passion Oratorio in three parts. Composed by Carl Loewe. Edited by Claudia Mücke. Arranged by Carl Loewe. This edition: urtext edition. Paperback. Barenreiter Urtext. Vocal Score. WoO. Duration 2 hours, 15 minutes. Baerenreiter Verlag #BA07678-90. Published by Baerenreiter Verlag (BA.BA07678-90).

ISBN 9790006530083. 10.63 x 7.48 inches. Language: German. Preface: Mücke, Claudia.

Loewe's Passion Oratorio Das"Suhnopfer des neuen Bundes"was probably composed in 1847. The work is divided into three parts, each subdivided into three sections. Each of the resulting nine scenes corresponds with one of the traditional stations of the Passion story.

Loewe used the usual forms of recitative, arioso, aria, chorus and chorale in this work. He nevertheless succeeded in giving the music an absolutely personal character, yet at the same time a diversity of expression. Precisely this diversity of expression has ensured that the oratorio genre has become an important part of the sacred music repertoire in recent years.

This edition takes all available sources into consideration and offers the complete material for the first time in a practical performing edition.