Das Sühnopfer des neuen Bundes Passion oratorio by Carl Loewe SSAATTBB - Sheet Music

By Carl Loewe

Carl Loewe is known nowadays almost exclusively as a composer of ballads, but he was close to the spirit of his time and also composed a number of oratorios for the amateur choirs which became so numerous in the Biedermeier period. "Das Sühnopfer des neuen Bundes" (The atonement of the new covenant) reveals a wealth of expressivity using only a modest scoring. The solo parts can easily be performed by good amateurs, the well-known chorales give audiences the opportunity to join in the singing, and the scoring, mainly for small string group, underlines the emotions expressed by the soloists. In this oratorio we can hear Loewe’s admiration for the Bach Passions, yet his characteristic musical language, typical of the time, shows that something new could develop from it.

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Details

Instrument:
Choir
Ensembles:
SSAATTBB
Genres:
Christian Romantic Period
Composers:
Carl Loewe
Publishers:
Carus Verlag
ISBN:
9790007188214
Format:
Vocal Score
Item types:
Physical
Musical forms:
Oratorio
Artist:
Carl Loewe
Usages:
Holy Week
Size:
8.27 x 11.69 inches
Number of Pages:
44
Shipping Weight:
7.2 pounds

Soli SATTBB, Coro SSAATTBB, 2 Vl, Va, Vc, Cb, Timp - Grade 3

SKU: CA.2300255

Passion oratorio. Composed by Carl Loewe. Edited by Reinhold Kubik. Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Choral score. Composed presumably 1847. 44 pages. Duration 105 minutes. Carus Verlag #CV 23.002/55. Published by Carus Verlag (CA.2300255).

ISBN 9790007188214. 8.27 x 11.69 inches. Language: German.

Carl Loewe is known nowadays almost exclusively as a composer of ballads, but he was close to the spirit of his time and also composed a number of oratorios for the amateur choirs which became so numerous in the Biedermeier period. "Das Sühnopfer des neuen Bundes" (The atonement of the new covenant) reveals a wealth of expressivity using only a modest scoring. The solo parts can easily be performed by good amateurs, the well-known chorales give audiences the opportunity to join in the singing, and the scoring, mainly for small string group, underlines the emotions expressed by the soloists. In this oratorio we can hear Loewe’s admiration for the Bach Passions, yet his characteristic musical language, typical of the time, shows that something new could develop from it.