4389317
Country March
4389317
4389317
4389317
Copyright Material for Preview Only - Sheet Music Plus
Orchestra String Orchestra (Cello, Double Bass, Piano, Viola, Violin 1, Violin 2, Violin 3) - Grade 1.5-2
SKU: CF.FAS12
Composed by Carl Strommen. Folio. Carl Fischer First Plus String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #FAS12. Published by Carl Fischer Music (CF.FAS12).
ISBN 9780825845062. UPC: 798408045067. 8.5 x 11 inches. Key: D major.
The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most ofA Country March. The emphasis (accentedA tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should playA p against the solo (orA soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most ofxa0Country March. The emphasis (accentedxa0tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should playxa0p against the solo (orxa0soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
Orchestra String Orchestra (Cello, Double Bass, Piano, Viola, Violin 1, Violin 2, Violin 3) - Grade 1.5-2
SKU: CF.FAS12
Composed by Carl Strommen. Folio. Carl Fischer First Plus String Orchestra Series. Score and Parts. With Standard notation. 12 pages. Carl Fischer Music #FAS12. Published by Carl Fischer Music (CF.FAS12).
ISBN 9780825845062. UPC: 798408045067. 8.5 x 11 inches. Key: D major.
The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most ofA Country March. The emphasis (accentedA tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should playA p against the solo (orA soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most of Country March. The emphasis (accented tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should play p against the solo (or soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
The pulse in the opening measures continues through most ofxa0Country March. The emphasis (accentedxa0tenuto) on beat four sets the tone for the remainder of the piece. At m. 17, the ensemble should playxa0p against the solo (orxa0soli) violin. The emphatic opening figures give way to a broader interpretation at mm. 33 through 56. Attention to dynamics will only enhance the contrast between the two sections.
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