Composed by Bohuslav Martinu. Edited by Giselher Schubert. This edition: complete edition, urtext edition. Linen. Complete edition, Score. Baerenreiter Verlag #BA10584-01. Published by Baerenreiter Verlag (BA.BA10584-01).
ISBN 9790260110014. 13.19 x 10.43 inches. Text Language: English, Czech. Preface: The Bohuslav Martinu Institute / Schubert, Giselher.
The Cello Concerto No. 1 by Bohuslav Martinů exists in three versions: the first dates from 1930, the second from 1939, and the third from 1955. These three versions differ substantially in instrumentation, with far fewer alterations in the solo part. Yet they are practically identical regarding form and themes.
This volume comprises all three versions and sheds new light on some of the circumstances of their genesis. The original version, composed in Paris in 1930, is presented here for the first time; the second version, written in Vieux-Moulin in 1939, was never published in Martinů's lifetime and is only now being made public in this edition. in contrast, the score of the third version of the concerto was apparently published immediately after its completion in Nice in 1955, with the cello part carefully revised by the cellist Pierre Fournier at the composer's behest.
The Foreword investigates the complex genesis of all three versions of the concerto, their publishing history, and their reception. Selected facsimile pages of the autograph score document the composer's cuts, complicated passages, and the original part of the first version with the composer's amendments for the third. All musical and textual sources relevant to the edition are described and assessed in the Critical Commentary.
Contents:
About the Edition Úvodem Foreword Predmluva Facsimiles / Faksimile Cello Concerto No. 1 H 196 I I Allegro moderato II Andante poco moderato III Allegro (con brio) Cello Concerto No. 1 H 196 II I Allegro moderato II Andante poco moderato III Allegro (con brio) Cello Concerto No. 1 H 196 III I Allegro poco moderato II Andante moderato III Allegro Critical Report Kritická zpráva List of Alternative Readings and Individual Comments Documents / Dokumenty.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Composed by Bohuslav Martinu. Edited by Giselher Schubert. This edition: complete edition, urtext edition. Linen. Complete edition, Score. Baerenreiter Verlag #BA10584-01. Published by Baerenreiter Verlag (BA.BA10584-01).
ISBN 9790260110014. 13.19 x 10.43 inches. Text Language: English, Czech. Preface: The Bohuslav Martinu Institute / Schubert, Giselher.
The Cello Concerto No. 1 by Bohuslav Martinů exists in three versions: the first dates from 1930, the second from 1939, and the third from 1955. These three versions differ substantially in instrumentation, with far fewer alterations in the solo part. Yet they are practically identical regarding form and themes.
This volume comprises all three versions and sheds new light on some of the circumstances of their genesis. The original version, composed in Paris in 1930, is presented here for the first time; the second version, written in Vieux-Moulin in 1939, was never published in Martinů's lifetime and is only now being made public in this edition. in contrast, the score of the third version of the concerto was apparently published immediately after its completion in Nice in 1955, with the cello part carefully revised by the cellist Pierre Fournier at the composer's behest.
The Foreword investigates the complex genesis of all three versions of the concerto, their publishing history, and their reception. Selected facsimile pages of the autograph score document the composer's cuts, complicated passages, and the original part of the first version with the composer's amendments for the third. All musical and textual sources relevant to the edition are described and assessed in the Critical Commentary.
Contents:
About the Edition Úvodem Foreword Predmluva Facsimiles / Faksimile Cello Concerto No. 1 H 196 I I Allegro moderato II Andante poco moderato III Allegro (con brio) Cello Concerto No. 1 H 196 II I Allegro moderato II Andante poco moderato III Allegro (con brio) Cello Concerto No. 1 H 196 III I Allegro poco moderato II Andante moderato III Allegro Critical Report Kritická zpráva List of Alternative Readings and Individual Comments Documents / Dokumenty.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Concerto for Violoncello and Orchestra no. 1 H 196 I–III
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