Concerto Elegia For Flute And String Orchestra by Ellen Taaffe Zwilich Chamber Music - Sheet Music

By Ellen Taaffe Zwilich

Zwilich's Concerto Elegia for flute and strings was commissioned by a consortium of 11 orchestras and premiered by flutist Trudy Kane at University of Miami's Frost School of Music. The work's three movements are titled Elegy, Soliloquy, and Epilogue, composed in memory of Zwilich's late husband Erik LaMont. "...a lyrical and rhapsodic rumination that exploits the solo instrument's colors and range. The opening thematic material is haunting, with the strings providing a rich and vibrant undercurrent to the flute's elegiac fragments. " - Lawrence Budmen, South Florida Classical Review

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Details

Instrument:
Piano Flute Solo
Ensembles:
Chamber Music
Genres:
20th Century Contemporary
Composers:
Ellen Taaffe Zwilich
Publishers:
Theodore Presser Company
Series:
Women Composers and Arrangers
UPC:
680160626939
ISBN:
9781491100561
Format:
Score Set of Parts Score and Parts
Item types:
Physical
Musical forms:
Concerto
Artist:
Ellen Taaffe Zwilich
Usages:
School and Community
Number of Pages:
16
Size:
9 x 12 inches
Shipping Weight:
0.25 pounds

Chamber Music flute, piano

SKU: PR.144406260

For Flute And String Orchestra. Composed by Ellen Taaffe Zwilich. This edition: saddle-wire stitch. Sws. Contemporary. Score and parts. With Standard notation. Composed 2014. 16 pages. Duration 0:16:00. Theodore Presser Company #144-40626. Published by Theodore Presser Company (PR.144406260).

ISBN 9781491100561. UPC: 680160626939. 9 x 12 inches.

Zwilich's Concerto Elegia for flute and strings was commissioned by a consortium of 11 orchestras and premiered by flutist Trudy Kane at University of Miami's Frost School of Music. The work's three movements are titled Elegy, Soliloquy, and Epilogue, composed in memory of Zwilich's late husband Erik LaMont. "...a lyrical and rhapsodic rumination that exploits the solo instrument's colors and range. The opening thematic material is haunting, with the strings providing a rich and vibrant undercurrent to the flute's elegiac fragments. " - Lawrence Budmen, South Florida Classical Review.