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2472397
Clavier- und Orgelwerke autographer ueberlieferung "Libro Secondo" (1649)
2472397
2472397
2472397
Details
Organ, piano - Level 4
SKU: BA.BA08063
Keyboard and Organ Works of Autograph Sources. Composed by Johann Jakob Froberger. Edited by Siegbert Rampe. This edition: complete edition, urtext edition. Paperback. Johann Jacob Froberger. New Edition of the Complete Works I | BARENREITER URTEXT. Complete edition, anthology, Performance score. Baerenreiter Verlag #BA08063. Published by Baerenreiter Verlag (BA.BA08063).ISBN 9790006488339. 9.45 x 12.01 inches.
The New Froberger Edition offers professional musicians, musicologists as well as interested amateurs alike a musical text that meets the needs of performers while supplying a comprehensive account of all the known sources and their origins.
It includes many works newly discovered by the editor. This Urtext edition is scheduled to appear in five volumes ending with a complete thematic catalogue. Each volume contains an introductory discussion of the works’ genesis, sources, performance practice, and editorial methodology and ends with a Critical Report.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding
- Toccaten FbWV 101-106
- Fantasien FbWV 201-206
- Canzonen FbWv 301-306
- Partiten FbWV 601-606
Ratings + Reviews
Based on 1 Reviews
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Bowlbs
January 08, 2018
Froberger
Ok, right off the bat I will say I am biased in the fact that I really like Froberger. I think hes a somewhat hidden gem in the history of music, though I see his work gaining traction among scholars and performers alike. That all said, about the book, Vol. I. It lays the groundwork for the other 10 volumes, a boon for Barenreiter and their reputation. They do a stellar job here, as usual, with a great publication from its introductory material and printing of the music. Binding is great, the printing impeccable and the music is my personal favorite among German, Baroque composers. All in all worth the hefty price.
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