Cantata BWV 213 “Lasst uns sorgen, lasst uns wachen” Herkules auf dem Scheideweg – Dramma per musica – Urtext by Johann Sebastian Bach 4-Part - Sheet Music

By Johann Sebastian Bach

In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised. It is known that Bach reused the music of Cantata BWV 213 in his Christmas Oratorio and, as Hans Gruss convincingly explains, paid close attention to the preparation of the performance material in light of the repeated use of the new work. "The final version of the cantata is recognizable in the parts of the Christmas Oratorio", states Gruss. The specifics of the later revision can thus be retraced. They have also entailed a number of editorial consequences which cast a new light on the Cantata BWV 213.In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised.

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Details

Instrument:
Double Bass
Ensembles:
4-Part SATB Orchestra Mixed Choir
Genres:
Opera Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Orchestral Library
ISBN:
9790004333747
Format:
Part
Item types:
Physical
Musical forms:
Cantata
Artist:
Johann Sebastian Bach
Usages:
School and Community
Size:
10 x 12.5 inches
Number of Pages:
20
Shipping Weight:
0.26 pounds

Basso (cello/double bass) (solos: SATB – choir: SATB – 0.2(ob d’am).0.0 – 2.0.0.0 – str – bc)

SKU: BR.OB-4713-26

Herkules auf dem Scheideweg – Dramma per musica – Urtext. Composed by Johann Sebastian Bach. Edited by Hans Grüß. Choir; stapled. Orchester-Bibliothek (Orchestral Library).

In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised.

Cantata; Baroque. Part. 20 pages. Duration 43'. Breitkopf and Haertel #OB 4713-26. Published by Breitkopf and Haertel (BR.OB-4713-26).

ISBN 9790004333747. 10 x 12.5 inches.

In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised. It is known that Bach reused the music of Cantata BWV 213 in his Christmas Oratorio and, as Hans Gruss convincingly explains, paid close attention to the preparation of the performance material in light of the repeated use of the new work. "The final version of the cantata is recognizable in the parts of the Christmas Oratorio", states Gruss. The specifics of the later revision can thus be retraced. They have also entailed a number of editorial consequences which cast a new light on the Cantata BWV 213.

In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised.