3873231
Bassoon Sonatas Op. 24
3873231
3873231
3873231
Copyright Material for Preview Only - Sheet Music Plus
Bassoon and piano
SKU: BR.MR-2049
Composed by Francois Devienne. Edited by Klaus Hubmann. Solo instruments; stapled. Musica Rara. The source document for this edition is a copy of the original puclication in the Library of the Royal Conservatoire of Music in Brussels. Wrong notes have been corrected according to context, and accidentals added where necessary. Sonata; Classical. Score. 36 pages.
ISBN 9790004486108. 9 x 12 inches.
The present Sonatas are the Nos. 3 and 5 from "Six Sonates pour un basson avec accompagnement de basse ... oeuvre 24", which were published by Sieber in Paris, probably in the last thirty years of the 18th century. The source document for this edition is a copy of the original publication in the Library of the Royal Conservatoire of Music in Brussels. Wrong notes have been corrected according to context, and accidentals added where necessary, or omitted where superfluous. All editorial additions to the musical text have been indicated by the use of ( ) or broken slurs. The deliberately simple and unpretentious realization of the unfigured bass is to be taken as the suggestion of the editor, and stylistic changes may be made by the continuo-player.
Bassoon and piano
SKU: BR.MR-2049
Composed by Francois Devienne. Edited by Klaus Hubmann. Solo instruments; stapled. Musica Rara. The source document for this edition is a copy of the original puclication in the Library of the Royal Conservatoire of Music in Brussels. Wrong notes have been corrected according to context, and accidentals added where necessary. Sonata; Classical. Score. 36 pages.
ISBN 9790004486108. 9 x 12 inches.
The present Sonatas are the Nos. 3 and 5 from "Six Sonates pour un basson avec accompagnement de basse ... oeuvre 24", which were published by Sieber in Paris, probably in the last thirty years of the 18th century. The source document for this edition is a copy of the original publication in the Library of the Royal Conservatoire of Music in Brussels. Wrong notes have been corrected according to context, and accidentals added where necessary, or omitted where superfluous. All editorial additions to the musical text have been indicated by the use of ( ) or broken slurs. The deliberately simple and unpretentious realization of the unfigured bass is to be taken as the suggestion of the editor, and stylistic changes may be made by the continuo-player.
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