23597037
“Ave Maria” Soprano 1 learning line-Bach/Gounod’s Ave Maria
23597037
23597037
“Ave Maria” Soprano 1 learning line-Bach/Gounod’s Ave Maria Flute scores gallery preview page 1
“Ave Maria” Soprano 1 learning line-Bach/Gounod’s Ave Maria by John O'Neill Flute - Digital Sheet Music

Audio Download

“Ave Maria” Soprano 1 learning line-Bach/Gounod’s Ave Maria by John O'Neill Flute - Audio

By John O'Neill
Alto Flute - Level 3 - Digital Download

SKU: A0.1779777

By Illumino Choir. Composed by J. S.Bach. Arranged by John O'Neill. This edition: audio, streaming. A Cappella, Classical, Praise & Worship, Religious, Sacred. Accompaniment. Duration 163. John O'Neill #1339777. Published by John O'Neill (A0.1779777).

This choral transcription is one of a number works in a curated series of choral transcriptions of various well-known classical compositions originally conceived for either solo vocal, instrumental or orchestral forces. Performances of each transcription are accessible online by searching “Illumino Choir” in conjunction with the respective title. These performances have been warmly acclaimed on the Facebook platform (via Choral Stream channel) and YouTube. Companion rehearsal audio tracks are available as a separate digital download on sheetmusicdirect and sheetmusicplus. This choral arrangement is suitable for church, school, and community choirs.




“Agnus Dei”
SATB choral adaptation of the Adagio from Beethoven’s Emperor Piano Concerto No. 5, Op. 73, one of the composer’s most tranquil and introspective works. This setting conveys a quiet reverence and lyrical serenity.




“Ave Maria”
SATB choral arrangement of Bach/Gounod’s Ave Maria, based on the Prelude No. 1 in C major, BWV 846. The setting highlights the purity and grace of the familiar melodic line within a rich choral texture.




“Sanctus”
SATB choral transcription of J. S. Bach’s Air on the G String, from Movement II of the Orchestral Suite No. 3 in D major, BWV 1068. Gentle and flowing, it evokes an atmosphere of calm devotion and balance.




“Kyrie”
SATB choral arrangement of Edvard Grieg’s The Death of Åse from Peer Gynt. Expressive and solemn, this adaptation transforms the orchestral lament into a moving plea for mercy and compassion.




“Et in Terris Pacem”
SATB choral setting of Edward Elgar’s Nimrod. This uplifting arrangement aspires to peace, hope, and unity, capturing the noble spirit and emotional depth of Elgar’s original.




“Regina Caeli”
SATB arrangement of Pietro Mascagni’s Intermezzo, incorporating the opening choral lines of the “Easter Hymn.” Luminous and expressive, it offers a radiant prayer of joy and renewal.




“Ombra mai fù”
SATB choral setting of the renowned aria, also known as Handel’s Largo, from the opera Serse. The serene lyricism of the original is preserved in a warm, reverent choral texture.




“Panis Angelicus”
Double-choir (SATB/SATB) choral setting of César Franck’s beloved work, originally for solo voice. The expanded arrangement enriches the devotional tone with optional choral adaptations of the organ introduction, middle section, and coda.




“Lux Aeterna”
SATB choral setting of Schubert’s Impromptu No. 3 from Op. 90 (D. 899), one of his most contemplative piano works. The music unfolds with gentle radiance, reflecting themes of light and eternity.




“In Paradisum”
SATB choral setting of the Adagio from Mozart’s Clarinet Concerto in A major, K. 622. Poised and ethereal, it evokes a sense of transcendence and peaceful passage.




“Ave Maria”
SATB arrangement based on Schubert’s Ellens Gesang III, D. 839. This timeless setting preserves the lyrical grace and heartfelt devotion of the original.

This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.

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