Finding the best resource to begin a journey in music theory is not easy. Itβs a jungle out there! To help you navigate through it, Musicroom provides here a review of some of the most reputable theory books available on the market. Picking the right resource will be at the heart of successful learning, so please read carefully and make an informed choice.
ABRSM: MUSIC THEORY IN PRACTICE, GRADE 1
This fully revised version of Eric Taylorβs classic theory resource has reached over a million musicians worldwide. Specifically coordinated with ABRSMβs theory syllabus, it is designed to align perfectly with the graded examination. This beginning book deals with note values and their equivalent rests from semibreve to semiquaver, simple time signatures, the stave, construction of the major scale and basic musical terminology.
The book is structured as a series of functional exercises that assess the learnerβs comprehension of theory concepts. Youβll need βThe AB Guide to Music Theoryβ to access further background knowledge on each topic, in addition to βMusic Theory in Practice Model Answersβ for assessment. There may not be many bells and whistles here, but as far as workbooks go, this is one of the most trusted resources out there and a safe bet if you are on the home straight to an ABRSM exam. It is part of a series that will take you right up to Grade 5.
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CHESTER MUSIC: HOW TO BLITZ! ABRSM THEORY
Samantha Coatesβ colourful and engaging learning resources are designed to integrate perfectly with ABRSM theory examinations. Part of a series that ranges from βBeginnerβ through to βGrade 5β, this book contains all the information required to sit your Grade 1 ABRSM theory exam. Grounded in solid pedagogy, the βHow to Blitz!β range is packed with quizzes, games and fun animated characters. The focus here is very much on accessible and enjoyable learning.
Designed particularly for younger learners, the book also has a useful degree of flexibility, with additional exercises and techniques available via online links. Witty informal annotations and graphics bring the learning to life, but good quality learning is at its heart. The book also features workbook assessments and revision tests to consolidate comprehension. Other titles beyond βtheoryβ in the range include Sight reading, Sight singing and Rote learning.
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PRACTICE IN MUSIC THEORY – GRADE 1
A staple for many music theory teachers and in classrooms for 30 years, Josephine Kohβs popular book is part of a series that complements all of ABRSMβs theory exams from Grades 1-8. Functionally presented, but thorough and sound, each book in the series comprehensively covers all aspects of the ABRSM syllabus. This book takes the learner step-by-step from time values and rests, through beaming, key signatures and the tonic triad. Each chapter opens with some introductory content and is followed by a series of practical exercises. The focus here is very much on application, and Kohβs rigorous, no-nonsense approach has been the secret to the bookβs longevity.
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COLLINS: ABRACADABRA BEGINNING THEORY
Functioning alongside the bestselling instrumental series, this is an ideal source for the beginning of a journey in music theory. David Harrisonβs engagingly designed book gives users plenty of space to reflect on their learning, and gently guides them through a series of tasks and games that provide a solid grounding in theoretical rudiments. Covering the basics of notation, rhythm, metre and tonality, the book has a very clear and user-friendly layout that is especially useful for younger learners. In particular, the Glossary acts as a good reference point for teachers, whilst regular workbook exercises allow for comprehensive assessment.
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EASILEARN THEORY FUNDAMENTALS β GRADE 1
The βeasiLEARNβ series of theory books, which includes βPrepβ, Grade 1 and an activity book βMagic Castleβ, really does get an excellent balance between design and content. Covering everything on the ABRSM and Trinity College Grade syllabuses, this theory book is cleverly constructed into a series of workbook-style exercises, a βfun zoneβ of music theory games, sample test papers and useful flashcards. It also is accompanied by excellent online learning tools, of particular note being the initial βPrior Knowledge Testβ, which assesses whether the learner is at the right stage for the book.
Colourful insides make for an especially attractive look, and the text is nicely broken up with animations, graphics and accessible tables. It feels substantial too. Just a shame that the series ends at Grade 3, but for those on the earlier examinations an excellent find.
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FABER MUSIC: MY FIRST THEORY BOOK
Part of a range of theory books designed for a smooth transition to Grade 1, Faberβs series (beginning with βMy Firstβ) is a lovely concept, full of quaint animations and fun dialogue. This book covers the very basics, from treble and bass clef and time signatures, to notation, rests and accidentals. Every third βtheory sectionβ is preceded by a fun little game, and thereβs plenty of repetition, ideal for younger learners. Designed with young children in mind, a particularly nice feature is the βcompletion of a phraseβ, which encourages some real-world musical creation, allowing the child to see how theoretical knowledge is utilised in the creation of music.
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MUSIC THEORY FOR YOUNG MUSICIANS β GRADE 1
Perhaps one of the most comprehensive and widely used books on the market. This is part of a series by Ying Ying Ng that continues all the way up to Grade 5, and very reasonably priced. The focus here particularly is on thoroughness, with plenty of workbook exercises, sample papers and clear explanations. Grade 1 covers the basics, including metre, notation, major tonalities up to two sharps and flats, note groupings and degrees of the scale. Colourful insides make for an appealing look, and the end-of-book βrevision notesβ are an especially useful feature not all theory books accommodate.
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ROCKSCHOOL: POPULAR MUSIC THEORY WORKBOOK DEBUT
Ranging from βDebutβ through to Grade 5, these books are designed specifically to meet the requirements of Rockschoolβs new theory exams. Excellently constructed for those with an especial interest in popular music, this book manages well the balance between important rudiments (like notation) whilst introducing genre-specific knowledge such as idiomatic features of band instruments and vocal production. Particularly successful is the chapter on βPopular Music Harmonyβ, which tailors important harmonic content to those whose musical education has been transmitted through popular music performance. A useful βsyllabus content overviewβ at the end engenders peace of mind, whilst specimen papers allow for comprehensive assessment prior to the examination.
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For some ideas on teaching theory at home we have lessons for Key Stages 1 & 2 and Key Stage 3 available on our blog!