Composed by Dominik Susteck. Edited by Zsigmond Szathmary. Stapled. Organova, Volume 10. Performance score. Composed 2011. 14 pages. Duration 10 minutes. Baerenreiter Verlag #BA11045. Published by Baerenreiter Verlag (BA.BA11045).
ISBN 9790006543243. 11.81 x 9.06 inches. Language: German/English. Preface: Dominik Susteck.
Thoughts on the composition “Zwischenklänge” with regard to the subject of “home and abroad”: - Music that never rests, that is in constant motion and mutation, its tones almost trembling, on the run, in constant tension. - Music that unfolds its beauty in the “in between”, in the appoggiatura, in the flash-like emergence and disappearance of harmonic colors. - Music as an evolvement of time, waiting, bustling, erupting, or withdrawing.
The composition “Zwischenklänge” was awarded tje 11th Composition Prize of Contemporary Sacred Music of the European Church Music Festival Schwäbisch Gmünd. – The premiere was given on 27 August 2012 by Roman Summereder (Vienna).
Composed by Dominik Susteck. Edited by Zsigmond Szathmary. Stapled. Organova, Volume 10. Performance score. Composed 2011. 14 pages. Duration 10 minutes. Baerenreiter Verlag #BA11045. Published by Baerenreiter Verlag (BA.BA11045).
ISBN 9790006543243. 11.81 x 9.06 inches. Language: German/English. Preface: Dominik Susteck.
Thoughts on the composition “Zwischenklänge” with regard to the subject of “home and abroad”: - Music that never rests, that is in constant motion and mutation, its tones almost trembling, on the run, in constant tension. - Music that unfolds its beauty in the “in between”, in the appoggiatura, in the flash-like emergence and disappearance of harmonic colors. - Music as an evolvement of time, waiting, bustling, erupting, or withdrawing.
The composition “Zwischenklänge” was awarded tje 11th Composition Prize of Contemporary Sacred Music of the European Church Music Festival Schwäbisch Gmünd. – The premiere was given on 27 August 2012 by Roman Summereder (Vienna).
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