Digital Download
23698933
You're My Favorite Work Of Art
23698933
23698933
23698933
Details
C Instrument, C Instruments - Level 3 - Digital Download
SKU: A0.1862939
By Squirky Jazz. Composed by Chris Bemand/Paul Williams. Arranged by Chris Bemand. This edition: pdf, streaming. Jazz. Lead Sheet / Fake Book. 3 pages. Squirky Music #1422460. Published by Squirky Music (A0.1862939).You’re My Favourite Work Of Art is a joyful, romantic jazz ballad that captures the warmth and charm of classic songbook writing with a fresh, modern twist.
Written in Concert C, this expressive lead sheet features a lyrical, singable melody supported by rich, elegant chord changes — perfect for players who enjoy melodic storytelling and tasteful phrasing. The piece has an easy, uplifting swing feel, making it ideal for bringing a sense of lightness, romance, and character to any performance.
Whether you're a trumpet, piano, guitar, saxophone, or vocal instrumentalist, this chart offers a rewarding and accessible playing experience. It works beautifully as a solo feature, for small ensemble settings, or as part of a relaxed jazz set.
Inspired by the timeless feel of classic jazz ballads, You’re My Favourite Work Of Art blends nostalgic romance with a playful, feel-good energy — music that invites both performer and listener to smile.
Perfect for:
• Jazz students and intermediate players
• Romantic performances and intimate gigs
• Concerts, recitals, and light entertainment sets
• Musicians looking for fresh, original jazz repertoire
Clear lead sheet format: melody + chord symbols
Play-along and score-following videos available on YouTube
Add a touch of charm and elegance to your repertoire with this beautifully crafted, feel-good jazz ballad.
Difficulty-wise this sits around Grade 4–5 jazz (intermediate) for a Bb horn player.
• Tempo: Bright swing at ♩ = 160 requires solid time feel and reading at speed, but not extreme.
• Key / range: G major for Bb instruments with mostly comfortable mid‑register writing; no extreme altissimo, but some agile movement.
• Rhythm: Constant quavers with syncopation, tied notes, anticipations, and a few tricky off‑beat figures, especially in BRIDGE B and later choruses.
• Harmony: Functional but rich jazz changes – maj7, 6, m7, 9, 13, altered dominants, ii–V–I chains – standard for intermediate jazz, but above beginner “3‑chord” tunes.
• Form length: Full AABA plus intros, tags and solos section; reading and form‑tracking demand are moderate.
For a school/junior big‑band context, it would be a good upper‑intermediate tune; for working pros, it’s an easy, sight‑readable chart.
This product was created by a member of ArrangeMe, Hal Leonard's global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
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