Wunderkammer(konzert) for thirteen players by Kenneth Hesketh Study Score - Digital Sheet Music

By Kenneth Hesketh

This three-movement work reflects the character of the wunderkammer, or Cabinet of Curiosities, which flourished between the 16th to 18th centuries: ’in this labyrinthine landscape, I found a natural context to construct my own private collection of musical objects, ciphers, and quotations. The volatile and virtuosic textures of the work are created by demanding soloistic agility from each performer. Whilst being required to fit seamlessly together to form complex musical surfaces the musicians are also set belligerently strident and dramatic roles. The concerto form (kammerkonzert) proved a natural arena for such contradictory tensions that seek resolution through metamorphosis.’ (Kenneth Hesketh)1 with B foot(pic).1(ca).0.Acl(bcl).0-0.1.1(tri).0-3perc(crot, vib, mar, tub bells, tri, h.h, 4sus cym, Chinese cym, splash cym, mark tree, 3gong, 2tom-t, b.d, kick b.d, pic timp, 5timp, 2jam blocks, 4granite blocks, egg shaker, desk bell)-pno(cel)-str(1.0.1.1.1)

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Details

Genres:
Classical
Composers:
Kenneth Hesketh
Publishers:
Schott Music - Digital
Series:
Music of Our Time
Format:
Study Score
Item types:
Digital
Level:
Advanced
Musical forms:
Concerto
Artist:
Kenneth Hesketh
Usages:
School and Community

Ensemble - difficult - Digital Download

SKU: S9.Q23834

For thirteen players. Composed by Kenneth Hesketh. This edition: study score. Music Of Our Time. Study score. Duration 20 minutes. Schott Music - Digital #Q23834. Published by Schott Music - Digital (S9.Q23834).

This three-movement work reflects the character of the wunderkammer, or Cabinet of Curiosities, which flourished between the 16th to 18th centuries: ’in this labyrinthine landscape, I found a natural context to construct my own private collection of musical objects, ciphers, and quotations. The volatile and virtuosic textures of the work are created by demanding soloistic agility from each performer. Whilst being required to fit seamlessly together to form complex musical surfaces the musicians are also set belligerently strident and dramatic roles. The concerto form (kammerkonzert) proved a natural arena for such contradictory tensions that seek resolution through metamorphosis.’ (Kenneth Hesketh)

1 with B foot(pic).1(ca).0.Acl(bcl).0-0.1.1(tri).0-3perc(crot, vib, mar, tub bells, tri, h.h, 4sus cym, Chinese cym, splash cym, mark tree, 3gong, 2tom-t, b.d, kick b.d, pic timp, 5timp, 2jam blocks, 4granite blocks, egg shaker, desk bell)-pno(cel)-str(1.0.1.1.1).

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