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Composed by Camille Saint-Saens. Edited by Fabien Guilloux; François de Médicis. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. OEuvres instrumentales completes III/4. Edition of selected works, Performance score, anthology. Baerenreiter Verlag #BA10304-01. Published by Baerenreiter Verlag (BA.BA10304-01).
ISBN 9790006541546. 12.99 x 10.43 inches. Preface: Stegemann, Michael / Medicis, Francois de / Guilloux, Fabien.
The catalogue of the works of Camille Saint-Saens includes four sonatas and a single movement for violin and piano, written over a large part of the composer's life. Three works from his youth are published here for the first time; the"Andante"of a Sonata for Violin and Piano in C major dating from 1841/1842, the Sonata for Violin and Piano in B-flat major, dated 1842 - Saint-Saens was then six years old -, and the unfinished Sonata for Piano and Violin in F major dating from around 1850/1851 when Saint-Saens was fifteen years old. The two sonatas for violin and piano he subsequently composed were published and performed in public during his lifetime; the Sonata for Piano and Violin No. 1 in D minor, op. 75 (1885) and the Sonata for Violin and Piano No. 2 in E-flat major, op. 102 (1896). These works found their way into the repertoire of leading violinists worldwide soon after their creation.
In Saint-Saens's own opinion, the opp. 75 and 102 sonatas are strongly contrasted in their character: the first being an effectively brilliant, technically quite sophisticated work for the concert hall, the second, however, pure chamber music. The first probably inspired the fictitious composer Vinteuil's Sonata from Proust's novel ,,A la recherche du temps perdu"(In Search of Lost Time) - the two editors pursue this trail and many others in their extensive Preface.
For their recording of Saint-Saens's complete works for violin and piano, the formidable duo Fanny Clamargirand and Vanya Cohen played from this new edition published in the series ,,OEuvres instrumentales completes".
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Composed by Camille Saint-Saens. Edited by Fabien Guilloux; François de Médicis. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. OEuvres instrumentales completes III/4. Edition of selected works, Performance score, anthology. Baerenreiter Verlag #BA10304-01. Published by Baerenreiter Verlag (BA.BA10304-01).
ISBN 9790006541546. 12.99 x 10.43 inches. Preface: Stegemann, Michael / Medicis, Francois de / Guilloux, Fabien.
The catalogue of the works of Camille Saint-Saens includes four sonatas and a single movement for violin and piano, written over a large part of the composer's life. Three works from his youth are published here for the first time; the"Andante"of a Sonata for Violin and Piano in C major dating from 1841/1842, the Sonata for Violin and Piano in B-flat major, dated 1842 - Saint-Saens was then six years old -, and the unfinished Sonata for Piano and Violin in F major dating from around 1850/1851 when Saint-Saens was fifteen years old. The two sonatas for violin and piano he subsequently composed were published and performed in public during his lifetime; the Sonata for Piano and Violin No. 1 in D minor, op. 75 (1885) and the Sonata for Violin and Piano No. 2 in E-flat major, op. 102 (1896). These works found their way into the repertoire of leading violinists worldwide soon after their creation.
In Saint-Saens's own opinion, the opp. 75 and 102 sonatas are strongly contrasted in their character: the first being an effectively brilliant, technically quite sophisticated work for the concert hall, the second, however, pure chamber music. The first probably inspired the fictitious composer Vinteuil's Sonata from Proust's novel ,,A la recherche du temps perdu"(In Search of Lost Time) - the two editors pursue this trail and many others in their extensive Preface.
For their recording of Saint-Saens's complete works for violin and piano, the formidable duo Fanny Clamargirand and Vanya Cohen played from this new edition published in the series ,,OEuvres instrumentales completes".
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Works for Violin and Piano (1): Sonatas for Violin and Piano
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