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Organ (Soli ATB, Coro SATB, Ob, Fg, Tr, 2 Vl, 2 Va, Bc) - Grade 3
SKU: CA.3101249
Cantata for Sunday Jubilate. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Weinen, Klagen, Sorgen, Zagen. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Praise and thanks. Individual part. Composed 1714. BWV 12. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.012/49. Published by Carus Verlag (CA.3101249).
ISBN 9790007204648. 9 x 12 inches. Key: F minor / b flat major. Language: German/English. Text: Salomo Franck.
On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and part available separately - see item CA.3101200.
Organ (Soli ATB, Coro SATB, Ob, Fg, Tr, 2 Vl, 2 Va, Bc) - Grade 3
SKU: CA.3101249
Cantata for Sunday Jubilate. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Weinen, Klagen, Sorgen, Zagen. Sacred vocal music, Cantatas, Special days, Easter and Eastertide, Praise and thanks. Individual part. Composed 1714. BWV 12. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.012/49. Published by Carus Verlag (CA.3101249).
ISBN 9790007204648. 9 x 12 inches. Key: F minor / b flat major. Language: German/English. Text: Salomo Franck.
On the 2nd March 1714 Bach, who until then had been employed as a chamber musician and organist at he Court of Duke Wilhelm Ernst in Weimar, was promoted to the position of concert master, and was instructed to relieve the ailing Kapellmeister Johann Samuel Drese by composing and performing new pieces monthly for the church. Following the cantata Himmelskonig, sei willkommen, BWV 182, the present cantate was the second work which Bach composed under the terms of his new contract. The extraordinary musical ambition evident in the first Weimar cantatas may have had its roots in the fact htat Bach aspired to become Drese's successor as Court Kapellmeister. Score and part available separately - see item CA.3101200.
Preview: Weeping, crying, sorrow, sighing
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