Virgo Virginum Adapted from Stabat Mater SSA and Piano or Organ SSA - Sheet Music

In Kim André Arnesen's Stabat Mater, which uses the Stabat mater dolorosa text, the sixth movement Virgo virginum is musically one of the more hopeful movements. For a standalone version, the composer felt that a new text would be appropriate and was excited to find the mirror image text with the same structure, Stabat Mater speciosa. Here, Mother Mary is not in pain by the Cross, but in joy at the birth of her Son. Arnesen's signature attractive melody floats over a flowing triple-time accompaniment, by itself initially, and the joined later by accompanying harmonies from the other upper voices. A pleasing, gentle piece suitable for Christmas time or general use.

Print edition
$2.25
$4.25
You save: $2.00 ~ 47%

WELCOME20 activated

In Stock
Usually ships within 24 hours.
Quantity save 5% on 2 or more
10
Get a 10% discount with SMP Plus subscription

Details

Instrument:
Choir Organ Accompaniment Piano Accompaniment Voice
Ensembles:
SSA 3-Part Women's Choir
Genres:
Christian Classical
Publishers:
Boosey & Hawkes
UPC:
196288174813
ISBN:
9781784548308
Format:
Octavo
Item types:
Physical
Usages:
General Worship
Size:
7.5x1.5x0.018 inches
Number of Pages:
6
Shipping Weight:
0.5 pounds

SSA and Piano/Organ Female Voices; Organ Accompaniment; Piano Accompaniment (SSA/PIANO)

SKU: HL.48025303

Adapted from Stabat Mater SSA and Piano or Organ. Composed by Kim André Arnesen. Boosey & Hawkes Sacred Choral. Choral, Classical, General Worship, Sacred. Octavo. 6 pages. Boosey & Hawkes #M060140518. Published by Boosey & Hawkes (HL.48025303).

ISBN 9781784548308. UPC: 196288174813. 7.5x1.5x0.018 inches.

In Kim André Arnesen's Stabat Mater, which uses the Stabat mater dolorosa text, the sixth movement Virgo virginum is musically one of the more hopeful movements. For a standalone version, the composer felt that a new text would be appropriate and was excited to find the mirror image text with the same structure, Stabat Mater speciosa. Here, Mother Mary is not in pain by the Cross, but in joy at the birth of her Son. Arnesen's signature attractive melody floats over a flowing triple-time accompaniment, by itself initially, and the joined later by accompanying harmonies from the other upper voices. A pleasing, gentle piece suitable for Christmas time or general use.