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Violin and Piano. Composed by Richard Strauss. Edited by Ulrich Krä and mer. Henle Music Folios. Classical. Softcover. 98 pages. G. Henle #HN1298. Published by G. Henle (HL.51481298).
UPC: 840126932959. 9.0x12.0x0.333 inches.
Composed at the end of a longer series of works between summer and autumn 1887, the violin sonata numbers among Strauss' most popular chamber music compositions to this day. In the outer movements, its piano setting and modulations break the intimate mould of chamber music, alluding to the sensational first symphonic poems written at the same time. Between the first and last movements, both of which are also technically very demanding, the slow middle movement, “Improvisation”, offers a respite. A kind of song without words, it was also published as a single movement and enjoyed great popularity in the years around 1900 in household and salon concerts. Ulrich Krämer is responsible for editing this Urtext edition, Arabella Steinbacher kindly provided the markings for the violin part and Michael Korstick those for the piano part.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Violin and Piano. Composed by Richard Strauss. Edited by Ulrich Krä and mer. Henle Music Folios. Classical. Softcover. 98 pages. G. Henle #HN1298. Published by G. Henle (HL.51481298).
UPC: 840126932959. 9.0x12.0x0.333 inches.
Composed at the end of a longer series of works between summer and autumn 1887, the violin sonata numbers among Strauss' most popular chamber music compositions to this day. In the outer movements, its piano setting and modulations break the intimate mould of chamber music, alluding to the sensational first symphonic poems written at the same time. Between the first and last movements, both of which are also technically very demanding, the slow middle movement, “Improvisation”, offers a respite. A kind of song without words, it was also published as a single movement and enjoyed great popularity in the years around 1900 in household and salon concerts. Ulrich Krämer is responsible for editing this Urtext edition, Arabella Steinbacher kindly provided the markings for the violin part and Michael Korstick those for the piano part.
About Henle Urtext
What I can expect from Henle Urtext editions:
error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
preface in 3 languages with information on the genesis and history of the work
Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
most beautiful music engraving
page-turns, fold-out pages, and cues where you need them
excellent print quality and binding
largest Urtext catalogue world-wide
longest Urtext experience (founded 1948 exclusively for "Urtext" editions)
Preview: Violin Sonata in E-flat Major, Op. 18
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