Violin Concerto in E major BWV 1042 Urtext by Johann Sebastian Bach Orchestra - Sheet Music

By Johann Sebastian Bach

With Sigiswald Kuijken, the Baroque-violin expert, another celebrated performer puts his valuable experience at the disposal of Breitkopf & Hartel and its new editions. Bach's E major concerto still presents interpretative questions that have yet to be answered. The slurring of the solo part is sometimes quite incredible in the main source. And it is even doubtful that it stems from Bach himself. All the more important are the experienced soloist's suggestions for a stylistically accurate interpretation.In his edition for violin and keyboard instrument, Klaus Hofmann goes so far as to supply three violin parts (the first from the new score, the second with markings and notes by SigiswaldKuijken and the third as a facsimile of the main source). The performer is thus thoroughly informed and able to make his own competent decisions. Siegfried Petrenz has realized the continuo part sparingly and idiomatically.

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Details

Instrument:
Harpsichord Piano Violin Solo
Ensembles:
Orchestra
Genres:
Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Orchestral Library
ISBN:
9790004337127
Format:
Part
Item types:
Physical
Musical forms:
Concerto
Artist:
Johann Sebastian Bach
Usages:
School and Community
Number of Pages:
12
Size:
9 x 12 inches
Shipping Weight:
0.16 pounds

Harpsichord/piano (solo: vl – str – bc)

SKU: BR.OB-5355-12

Urtext. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Stapled. Orchester-Bibliothek (Orchestral Library).

Bach's E major concerto still presents interpretative questions that have yet to be answered.

Solo concerto; Baroque. Part. 12 pages. Duration 17'. Breitkopf and Haertel #OB 5355-12. Published by Breitkopf and Haertel (BR.OB-5355-12).

ISBN 9790004337127. 9 x 12 inches.

With Sigiswald Kuijken, the Baroque-violin expert, another celebrated performer puts his valuable experience at the disposal of Breitkopf & Hartel and its new editions. Bach's E major concerto still presents interpretative questions that have yet to be answered. The slurring of the solo part is sometimes quite incredible in the main source. And it is even doubtful that it stems from Bach himself. All the more important are the experienced soloist's suggestions for a stylistically accurate interpretation.In his edition for violin and keyboard instrument, Klaus Hofmann goes so far as to supply three violin parts (the first from the new score, the second with markings and notes by SigiswaldKuijken and the third as a facsimile of the main source). The performer is thus thoroughly informed and able to make his own competent decisions. Siegfried Petrenz has realized the continuo part sparingly and idiomatically.