Violin Concerto in D major Op. 61 Urtext by Ludwig van Beethoven Orchestra - Sheet Music

By Ludwig van Beethoven

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.

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Details

Instrument:
Violin Solo
Ensembles:
Orchestra
Genres:
Classical Period Romantic Period
Composers:
Ludwig van Beethoven
Publishers:
Breitkopf and Haertel
Series:
Breitkopf Score Library
ISBN:
9790004212608
Format:
Study Score Collection / Songbook
Item types:
Physical
Musical forms:
Concerto
Artist:
Ludwig van Beethoven
Usages:
School and Community
Number of Pages:
88
Size:
6.5 x 9 inches
Shipping Weight:
0.5 pounds

Violin and orchestra (solo: vl – 1.2.2.2 – 2.2.0.0 – timp – str)

SKU: BR.PB-5531

Urtext. Composed by Ludwig van Beethoven. Edited by Clive Brown. Orchestra; Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Classical. Study Score. 88 pages. Duration 42'. Breitkopf and Haertel #PB 5531. Published by Breitkopf and Haertel (BR.PB-5531).

ISBN 9790004212608. 6.5 x 9 inches.

What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.