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Via crucis
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532408
532408
Copyright Material for Preview Only - Sheet Music Plus
Soli SATB, Coro SATB, Org - Grade 3
SKU: CA.4017300
Die 14 Stationen des Kreuzwegs. Composed by Franz Liszt. Edited by Thomas Kohlhase. This edition: Paperbound. Genres / texts frequently set to music: Sacred vocal music. Sacred vocal music, Holy Week, Stations of the cross (Seven Words). Full score. Composed 1879. S 53. Duration 40 minutes. Carus Verlag #CV 40.173/00. Published by Carus Verlag (CA.4017300).
ISBN 9790007063771. 8.27 x 11.69 inches. Language: Latin/German.
Franz Liszt's Via crucis for soloists, choir and organ is a musical representation of the Stations of the Cross, and as such it’s a unique work. This applies not only to the genre as such, but also to the musical structure – its progressive harmony, expressiveness and varied formal vocabulary. Half of the fourteen Stations of the Cross are composed either solely or predominantly for the organ, and while they are technically only moderately demanding, they’re musically highly sophisticated. The edition contains a detailed list of the possible vocal scorings, which reveal that a performance without any soloists at all is certainly conceivable.
Soli SATB, Coro SATB, Org - Grade 3
SKU: CA.4017300
Die 14 Stationen des Kreuzwegs. Composed by Franz Liszt. Edited by Thomas Kohlhase. This edition: Paperbound. Genres / texts frequently set to music: Sacred vocal music. Sacred vocal music, Holy Week, Stations of the cross (Seven Words). Full score. Composed 1879. S 53. Duration 40 minutes. Carus Verlag #CV 40.173/00. Published by Carus Verlag (CA.4017300).
ISBN 9790007063771. 8.27 x 11.69 inches. Language: Latin/German.
Franz Liszt's Via crucis for soloists, choir and organ is a musical representation of the Stations of the Cross, and as such it’s a unique work. This applies not only to the genre as such, but also to the musical structure – its progressive harmony, expressiveness and varied formal vocabulary. Half of the fourteen Stations of the Cross are composed either solely or predominantly for the organ, and while they are technically only moderately demanding, they’re musically highly sophisticated. The edition contains a detailed list of the possible vocal scorings, which reveal that a performance without any soloists at all is certainly conceivable.
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