Variations On A Pentatonic Theme Concert Band Grade 6, 18:00 Score and Parts Concert Band - Sheet Music

Rob Goorhuis wrote his Variations on a Pentatonic Theme (1987) for the Royal Wind band of Thorn, conductor Jan Cober.7The work consists of five character variations on a pentatonic (five-tone) theme. The basic elements of the theme are the descendingminor third and the descending major second, which in the course of the composition build up to a broad melody, unfolding itself in the final variation. The first variation resembles minimal music in its repetitive rhythmic motives. The second variation is explosive in character: rapid broken chords provide a background for soft solo motifs. The third variation is a quiet intermezzo on a slow chorale theme, creatingtwo contrasting moods. The fourth variation is a light-hearted scherzo. The final variation is a brilliant finale with all the necessary ingredients, or, in the composer's words, “the works”

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Details

Ensembles:
Concert Band
Genres:
Classical
Publishers:
Gobelin Music Publications
Series:
De Haske Concert Band
UPC:
196288193128
ISBN:
9798350117769
Format:
Set of Parts Collection / Songbook Score and Parts
Item types:
Physical
Level:
Grade 6
Musical forms:
Variations
Usages:
School and Community
Shipping Weight:
15.53 pounds

Score and Parts Concert Band (Score & Parts) - Grade 6

SKU: HL.4008720

Concert Band Grade 6, 18:00 Score and Parts. Composed by Rob Goorhuis. De Haske Concert Band. Classical, Concert Band, Variations. Softcover. Gobelin Music Publications #GOB000590010. Published by Gobelin Music Publications (HL.4008720).

ISBN 9798350117769. UPC: 196288193128.

Rob Goorhuis wrote his Variations on a Pentatonic Theme (1987) for the Royal Wind band of Thorn, conductor Jan Cober.7The work consists of five character variations on a pentatonic (five-tone) theme. The basic elements of the theme are the descendingminor third and the descending major second, which in the course of the composition build up to a broad melody, unfolding itself in the final variation. The first variation resembles minimal music in its repetitive rhythmic motives. The second variation is explosive in character: rapid broken chords provide a background for soft solo motifs. The third variation is a quiet intermezzo on a slow chorale theme, creatingtwo contrasting moods. The fourth variation is a light-hearted scherzo. The final variation is a brilliant finale with all the necessary ingredients, or, in the composer's words, “the works”.