21038440
Variations of a Double
21038440
21038440
21038440
Copyright Material for Preview Only - Sheet Music Plus
Clarinet and Piano
SKU: PR.EMB14549
Composed by Adam Kondor. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2009. 224 pages. Editio Musica Budapest #EMBZ14549. Published by Editio Musica Budapest (PR.EMB14549).
Variations on a Double is a real musical leviathan: almost an hour long, it is a sound-monstrosity that makes exceptional demands of the performers, and is the product of an unusual degree of fusion of the clarinet with the piano. Composed in 2005 for Csaba Klenyán and Gábor Csalog, the work interprets the meaning of the musical double in an unconventional way: in it there is not a union of two independent instrumental characters, each with its individual identity - as in a grandiose sonata instead, its artistic form tends in exactly the opposite direction. A single, monodically conceived unit of musical material passes over and over again through the doubling they do not formtwo parts, yet do not unite in unison, but present the split face of a single endless - fragmented and episodic - monologue, like Siamese twins. Beware, this is only for the musically mature!
Clarinet and Piano
SKU: PR.EMB14549
Composed by Adam Kondor. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2009. 224 pages. Editio Musica Budapest #EMBZ14549. Published by Editio Musica Budapest (PR.EMB14549).
Variations on a Double is a real musical leviathan: almost an hour long, it is a sound-monstrosity that makes exceptional demands of the performers, and is the product of an unusual degree of fusion of the clarinet with the piano. Composed in 2005 for Csaba Klenyán and Gábor Csalog, the work interprets the meaning of the musical double in an unconventional way: in it there is not a union of two independent instrumental characters, each with its individual identity - as in a grandiose sonata instead, its artistic form tends in exactly the opposite direction. A single, monodically conceived unit of musical material passes over and over again through the doubling they do not formtwo parts, yet do not unite in unison, but present the split face of a single endless - fragmented and episodic - monologue, like Siamese twins. Beware, this is only for the musically mature!
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