1871008
Two Shelley Songs
1871008
1871008
1871008
Copyright Material for Preview Only - Sheet Music Plus
Choral SATB Choir and Piano
SKU: PR.362033390
The Fugitives. Composed by Samuel Adler. Classical. Part. With Standard notation. Duration 0:02:45. Theodore Presser Company #362-03339. Published by Theodore Presser Company (PR.362033390).
UPC: 680160059355.
Two Shelley Songs were composed in 1981 on a commission from Ithaca College and published by Elkan-Vogel, Inc. in the Ithaca College Choral Series in 1982. The two poems by Shelley used here are To- and The Fugitives. Both of these pieces, published separately, are scored for mixed chorus with piano accompaniment. In order to perform them well, an excellent pianist is essential, for the accompaniment to the second poem The Fugitives is quite difficult, though quite pianistic. The style of the first poem is in a somewhat romantic idiom while the second contrasts it with rather wild harmonic writing utilizing large skips, clusters and other dissonant chordal devices. Great care is taken throughout to make these difficult sounding portions as easy as possible to perform by taking great care of the voice leadings. The two pieces should be done as a pair, but could conceivably be done separately.
Choral SATB Choir and Piano
SKU: PR.362033390
The Fugitives. Composed by Samuel Adler. Classical. Part. With Standard notation. Duration 0:02:45. Theodore Presser Company #362-03339. Published by Theodore Presser Company (PR.362033390).
UPC: 680160059355.
Two Shelley Songs were composed in 1981 on a commission from Ithaca College and published by Elkan-Vogel, Inc. in the Ithaca College Choral Series in 1982. The two poems by Shelley used here are To- and The Fugitives. Both of these pieces, published separately, are scored for mixed chorus with piano accompaniment. In order to perform them well, an excellent pianist is essential, for the accompaniment to the second poem The Fugitives is quite difficult, though quite pianistic. The style of the first poem is in a somewhat romantic idiom while the second contrasts it with rather wild harmonic writing utilizing large skips, clusters and other dissonant chordal devices. Great care is taken throughout to make these difficult sounding portions as easy as possible to perform by taking great care of the voice leadings. The two pieces should be done as a pair, but could conceivably be done separately.
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