(1745 & 1750). Composed by Maurice Greene. Edited by Harry Diack Johnstone; Ryan Patten. This edition: Hardback. Books and Study Scores. Study score. Composed 2025. 168 pages. Stainer & Bell Ltd. #MB111. Published by Stainer & Bell Ltd. (ST.MB111).
ISBN 9780852499771. 10 x 13 inches.
Transcribed and edited by Harry Diack Johnstone and Ryan Patten First published in 2025 Pages: 168 Format: Hardback Dimensions (mm): 330 x 254 x 21 Weight: 1.294kg
These orchestrally accompanied Te Deum settings, from 1745 and 1750 respectively, are two out of six that survive from a possible output of twelve. They are late works that demonstrate Greene’s compositional prowess as the leading British-born composer of his time, and which conclude an extensive series of English Te Deum settings begun by Purcell in 1694, with later examples by Blow, Turner and Croft. Structurally the two are very different, not only from each other but from Handel’s expansive Dettingen Te Deum of 1743. Both scores were written in Greene’s capacity as Organist and Composer to His Majesty’s Chapel Royal, to welcome the king back to London from Hanover, though the setting from 1750 was omitted from the celebrations, and as far as is known is yet to receive its first performance.
(1745 & 1750). Composed by Maurice Greene. Edited by Harry Diack Johnstone; Ryan Patten. This edition: Hardback. Books and Study Scores. Study score. Composed 2025. 168 pages. Stainer & Bell Ltd. #MB111. Published by Stainer & Bell Ltd. (ST.MB111).
ISBN 9780852499771. 10 x 13 inches.
Transcribed and edited by Harry Diack Johnstone and Ryan Patten First published in 2025 Pages: 168 Format: Hardback Dimensions (mm): 330 x 254 x 21 Weight: 1.294kg
These orchestrally accompanied Te Deum settings, from 1745 and 1750 respectively, are two out of six that survive from a possible output of twelve. They are late works that demonstrate Greene’s compositional prowess as the leading British-born composer of his time, and which conclude an extensive series of English Te Deum settings begun by Purcell in 1694, with later examples by Blow, Turner and Croft. Structurally the two are very different, not only from each other but from Handel’s expansive Dettingen Te Deum of 1743. Both scores were written in Greene’s capacity as Organist and Composer to His Majesty’s Chapel Royal, to welcome the king back to London from Hanover, though the setting from 1750 was omitted from the celebrations, and as far as is known is yet to receive its first performance.
Preview: Two Orchestral Te Deum Settings
Tell A Friend
Tell a friend (or remind yourself) about this product. We'll instantly send an email containing product info and a link to it. You may also enter a personal message.
We do not use or store email addresses from this form for any other purpose than sending your share email.
After purchase, you can download your MP3 from your Sheet Music Plus Digital Library - no software installation is necessary! You can also listen to your MP3 at any time in your Digital Library.
Learn about Smart Music
After purchase, you can download your Smart Music from your Sheet Music Plus Digital Library - no software installation is necessary! You can also download at any time in your Digital Library.
Learn about Digital Video
After purchase you can download your video from your Digital Library. Your video is in XX format and is playable on most pre-installed video players.