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Composed by Giuseppe Aldrovandini. Edited by Michael Talbot. Baroque. Full score and parts. Duration c.19:00. Edition HH Music Publishers #HH590-FSP. Published by Edition HH Music Publishers (HH.HH590-FSP).
ISBN 9790708213055. 8.27 x 11.69 inches.
The ten motets (Concerti sacri) for solo voice, violins and continuo making up his Op. 3 (1703) are among his most attractive compositions, standing on the borderline between seventeenth-century bel canto and the progressive trends represented by Alessandro Scarlatti and, later, Antonio Vivaldi. The two motets for bass voice concluding the set delight through their euphony and the sheer swagger of Aldrovandini’s writing for the voice.
Composed by Giuseppe Aldrovandini. Edited by Michael Talbot. Baroque. Full score and parts. Duration c.19:00. Edition HH Music Publishers #HH590-FSP. Published by Edition HH Music Publishers (HH.HH590-FSP).
ISBN 9790708213055. 8.27 x 11.69 inches.
The ten motets (Concerti sacri) for solo voice, violins and continuo making up his Op. 3 (1703) are among his most attractive compositions, standing on the borderline between seventeenth-century bel canto and the progressive trends represented by Alessandro Scarlatti and, later, Antonio Vivaldi. The two motets for bass voice concluding the set delight through their euphony and the sheer swagger of Aldrovandini’s writing for the voice.
Preview: Two motets from Concerti sacri
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