Motet. Composed by Heinrich Schutz. Edited by Werner Breig. This edition: urtext edition. Stapled. Barenreiter Urtext. No. 14 from "Geistliche Chor-Music". Choral score. SWV 382. 13 pages. Baerenreiter Verlag #BA25006. Published by Baerenreiter Verlag (BA.BA25006).
ISBN 9790006568000. 11.69 x 8.27 inches. Language: German.
Separate edition from BA 5902, „Geistliche Chor-Music“ SWV 369-380, The six and seven-part motets, nos. 13-29:
In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled “Geistliche Chor-Music” (Sacred Choir Music). Here, the term “Chor” (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Motet. Composed by Heinrich Schutz. Edited by Werner Breig. This edition: urtext edition. Stapled. Barenreiter Urtext. No. 14 from "Geistliche Chor-Music". Choral score. SWV 382. 13 pages. Baerenreiter Verlag #BA25006. Published by Baerenreiter Verlag (BA.BA25006).
ISBN 9790006568000. 11.69 x 8.27 inches. Language: German.
Separate edition from BA 5902, „Geistliche Chor-Music“ SWV 369-380, The six and seven-part motets, nos. 13-29:
In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled “Geistliche Chor-Music” (Sacred Choir Music). Here, the term “Chor” (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions
... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
Preview: Tröstet, tröstet mein Volk SWV 382
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