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Violin and Piano. Composed by Cyril Scott. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Composed 1910. Op. 73. 32 pages. Duration 12' 40''. Schott Music #VLB163. Published by Schott Music (HL.49019173).
ISBN 9790001180573. UPC: 884088862619. 9.25x12.0x0.109 inches.
Composed in 1910, Scott's opus 73 was dedicated to violinist friend Paul Stoeving, a professor at the Guildhall School of Music. Includes: I. Élegie, II. Romance, and III. Valse triste. “...the first of these vignettes, Élégie, strikes a delicate salon-like tone and sets the mood for the entire three-part cycle. Wistful and poetic, an intermediate player would find much to enjoy in its lyrical lines. Romance follows with an impressionist array of colors and constantly changing 2/4 and 3/4 meter. Valse Triste concludes this beautiful trilogy with a richly harmonized piano part...Schott's exemplary printing on buff-colored paper with slightly-larger-than-usual notation should serve to bring the unjustly neglected Scott back into the violin-repertoire fold.”--Strings magazine.
Violin and Piano. Composed by Cyril Scott. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Composed 1910. Op. 73. 32 pages. Duration 12' 40''. Schott Music #VLB163. Published by Schott Music (HL.49019173).
ISBN 9790001180573. UPC: 884088862619. 9.25x12.0x0.109 inches.
Composed in 1910, Scott's opus 73 was dedicated to violinist friend Paul Stoeving, a professor at the Guildhall School of Music. Includes: I. Élegie, II. Romance, and III. Valse triste. “...the first of these vignettes, Élégie, strikes a delicate salon-like tone and sets the mood for the entire three-part cycle. Wistful and poetic, an intermediate player would find much to enjoy in its lyrical lines. Romance follows with an impressionist array of colors and constantly changing 2/4 and 3/4 meter. Valse Triste concludes this beautiful trilogy with a richly harmonized piano part...Schott's exemplary printing on buff-colored paper with slightly-larger-than-usual notation should serve to bring the unjustly neglected Scott back into the violin-repertoire fold.”--Strings magazine.
Preview: Trois Pièces Lyriques, Op. 73
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