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Composed by Nadia Boulanger. Performance Music Ensemble; Solo Organ. Master Organ Series - LudwigMasters. Score and Part(s). LudwigMasters Publications #36-M378591. Published by LudwigMasters Publications (AP.36-M378591).
ISBN 9781628769609. UPC: 660355074028. English.
Trois Improvisations (3 Improvisations; Trois Pièces) for Organ was written by Nadia Boulanger (1887-1979) in 1911 for inclusion in an anthology of organ music by various composers. The first piece, 'Prélude,' consists of a simple rounded binary form with a starkly simple texture - a single melody in the right hand and mostly parallel-third motion in the left. The conventional 4-bar-phrase structure allows a few poignant surprises when deviated from, most notably with the abrupt key change from the opening F minor to C-sharp minor in the middle section. The 'Petit canon' offers richer rhythmic movement, although the canon itself appears conceived more as an echo effect than a contrapuntal devise. The final 'Improvisation' ends this cycle of miniatures, drifting between different key areas but held together with ostinatos. from program notes by Gregg Wager for the LA Philharmonic.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
Composed by Nadia Boulanger. Performance Music Ensemble; Solo Organ. Master Organ Series - LudwigMasters. Score and Part(s). LudwigMasters Publications #36-M378591. Published by LudwigMasters Publications (AP.36-M378591).
ISBN 9781628769609. UPC: 660355074028. English.
Trois Improvisations (3 Improvisations; Trois Pièces) for Organ was written by Nadia Boulanger (1887-1979) in 1911 for inclusion in an anthology of organ music by various composers. The first piece, 'Prélude,' consists of a simple rounded binary form with a starkly simple texture - a single melody in the right hand and mostly parallel-third motion in the left. The conventional 4-bar-phrase structure allows a few poignant surprises when deviated from, most notably with the abrupt key change from the opening F minor to C-sharp minor in the middle section. The 'Petit canon' offers richer rhythmic movement, although the canon itself appears conceived more as an echo effect than a contrapuntal devise. The final 'Improvisation' ends this cycle of miniatures, drifting between different key areas but held together with ostinatos. from program notes by Gregg Wager for the LA Philharmonic.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
Preview: Trois Improvisations for Organ
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