Winds, Strings and Piano clarinet (violin), cello (viola/bass clarinet/basset horn) and piano
SKU: RW.RP-02
Composed by Louise Farrenc. Tuneful, effective composition. Alternate parts provide many options for performance. Classical. Score and parts. Rosewood Publications #RP 02. Published by Rosewood Publications (RW.RP-02).
Louise Farrenc, nee Dumont (1804-1875), was a gifted pianist and composer at a time when women were rarely able to aspire to more than drawing-room competence, whatever their musical ability. She studied music with Reicha and later taught the piano at the Paris Conservatoire, the only woman to hold a permanent position there as an instrumentalist during the nineteenth century. Farrenc wrote three symphonies, a piano concerto, thirty etudes for piano in all major and minor keys, four piano trios, a cello sonata and two violin sonatas, two piano quintets, a sextet for piano and wind and a nonet for wind and strings. She was one of the leading women composers of her day and was praised in the Gazette Musicale for.
Winds, Strings and Piano clarinet (violin), cello (viola/bass clarinet/basset horn) and piano
SKU: RW.RP-02
Composed by Louise Farrenc. Tuneful, effective composition. Alternate parts provide many options for performance. Classical. Score and parts. Rosewood Publications #RP 02. Published by Rosewood Publications (RW.RP-02).
Louise Farrenc, nee Dumont (1804-1875), was a gifted pianist and composer at a time when women were rarely able to aspire to more than drawing-room competence, whatever their musical ability. She studied music with Reicha and later taught the piano at the Paris Conservatoire, the only woman to hold a permanent position there as an instrumentalist during the nineteenth century. Farrenc wrote three symphonies, a piano concerto, thirty etudes for piano in all major and minor keys, four piano trios, a cello sonata and two violin sonatas, two piano quintets, a sextet for piano and wind and a nonet for wind and strings. She was one of the leading women composers of her day and was praised in the Gazette Musicale for.
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