19492553
Tombeau Facsimile
19492553
19492553
19492553
Copyright Material for Preview Only - Sheet Music Plus
Orchestra Orchestra Bells, soprano voice
SKU: PR.UE034972
Aus dem Zyklus "Pli selon pli". Composed by Pierre Boulez. Edited by Robert Piencikowski. This edition: Facsimiles of the Draft Score and the First Fair Copy of the Full Score. Perfect. Facsimiles of the Draft Score and the First Fair Copy of the Full Score. Large Score. With Standard notation. Universal Edition #UE034972. Published by Universal Edition (PR.UE034972).
ISBN 9783702468613. UPC: 803452065777.
To celebrate Pierre Boulez's 85th birthday and the 50th anniversary of Tombeau's world premiere, the Paul Sacher Foundation and Universal Edition are now publishing the two original manuscripts of the score for the first time: the pencil draft and a fair copy in different colored inks. These fine examples of high-quality reproductions are also the earliest evidence of Boulez's friendship with Paul Sacher. The composer presented the scores to Sacher in the early 1960s. The facsimiles are prefaced by an introduction, which places the work in a historical and aesthetic context and takes a look at the compositional techniques used. It is illustrated by a selection of manuscripts from different stages of the creative process, as well as other related documents.
Orchestra Orchestra Bells, soprano voice
SKU: PR.UE034972
Aus dem Zyklus "Pli selon pli". Composed by Pierre Boulez. Edited by Robert Piencikowski. This edition: Facsimiles of the Draft Score and the First Fair Copy of the Full Score. Perfect. Facsimiles of the Draft Score and the First Fair Copy of the Full Score. Large Score. With Standard notation. Universal Edition #UE034972. Published by Universal Edition (PR.UE034972).
ISBN 9783702468613. UPC: 803452065777.
To celebrate Pierre Boulez's 85th birthday and the 50th anniversary of Tombeau's world premiere, the Paul Sacher Foundation and Universal Edition are now publishing the two original manuscripts of the score for the first time: the pencil draft and a fair copy in different colored inks. These fine examples of high-quality reproductions are also the earliest evidence of Boulez's friendship with Paul Sacher. The composer presented the scores to Sacher in the early 1960s. The facsimiles are prefaced by an introduction, which places the work in a historical and aesthetic context and takes a look at the compositional techniques used. It is illustrated by a selection of manuscripts from different stages of the creative process, as well as other related documents.
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