20146386
To a Wild Rose
20146386
20146386
20146386
Copyright Material for Preview Only - Sheet Music Plus
String orchestra
SKU: IG.OMS156
Composed by Marcia Stockton. Score and Parts. Imagine Music Publishing #OMS156. Published by Imagine Music Publishing (IG.OMS156).
9 x 12 in inches.
To a Wild Rose is the most popular piece in American composer Edward MacDowell's (1860-1908) well-known piano suite Woodland Sketches, Op. 51 (1896). Its simple, unassuming character portrays a pretty wild rose that one might encounter in the woods. Less elegant than their suburban garden cousins, the loveliness of wild rose blossoms is short-lived, fragrant and undisciplined. With this in mind, Stockton rejuvenated MacDowell's piano piece with a fresh orchestration featuring a lush string sound within younger musicians' capabilities.
Instrumentation
Violin I (divisi) up to 5th position; an optional ossia (the top voice down 1 octave) remains in 1st position
Violin II
Viola
Violoncello (divisi)
Contrabass (or bass cues in cello part).
String orchestra
SKU: IG.OMS156
Composed by Marcia Stockton. Score and Parts. Imagine Music Publishing #OMS156. Published by Imagine Music Publishing (IG.OMS156).
9 x 12 in inches.
To a Wild Rose is the most popular piece in American composer Edward MacDowell's (1860-1908) well-known piano suite Woodland Sketches, Op. 51 (1896). Its simple, unassuming character portrays a pretty wild rose that one might encounter in the woods. Less elegant than their suburban garden cousins, the loveliness of wild rose blossoms is short-lived, fragrant and undisciplined. With this in mind, Stockton rejuvenated MacDowell's piano piece with a fresh orchestration featuring a lush string sound within younger musicians' capabilities.
Instrumentation
Violin I (divisi) up to 5th position; an optional ossia (the top voice down 1 octave) remains in 1st position
Violin II
Viola
Violoncello (divisi)
Contrabass (or bass cues in cello part).
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