21996943
Three Strides of Light
21996943
21996943
21996943
Copyright Material for Preview Only - Sheet Music Plus
Piano
SKU: FG.9790550114562
Composed by Esa Pietila. Fennica Gehrman #9790550114562. Published by Fennica Gehrman (FG.9790550114562).
ISBN 9790550114562.
Three Strides of Light is inspired by the light and its behaviour in different circumstances, appearances and surroundings. The work is in three movements, but they are played together attacca.
The first movement starts off with a headstrong theme on the left hand. This motif has persistent momentum, like a train, and one could think of it as the rays of a setting sun. The beams are straight and relentlessly penetrate our eyes. The seven-bar repetition on the left hand supports this mental image, until the repetition ends and a new thematically central motive starts to emerge, bringing new kind of texture for the last rays and dance of the setting sun. At the end, the light vanishes into the night.
Second movemement, slow rubato, depicts the first rays of the rising sun, they drop behind a morning cloud into the day, growing, developing and becoming yet faster. Eventually the day opens up in all of it sunny glory. The music leads us towards the third movement, in which one bathes in the rays of the sun. The repetative motive of the first movement returns, but by now it has been transformed into something else. A pensive quintuplet-passage emerges, paving ground for the final themes of the work. The ending of the work is thick in sound, depicting the relentless glare of the sun and the heat sun creates. Within the entire work, one can imagine to have gone through a whole 24-hour period on the sea, in which the three strides of light are apparent in different parts of the day.
Piano
SKU: FG.9790550114562
Composed by Esa Pietila. Fennica Gehrman #9790550114562. Published by Fennica Gehrman (FG.9790550114562).
ISBN 9790550114562.
Three Strides of Light is inspired by the light and its behaviour in different circumstances, appearances and surroundings. The work is in three movements, but they are played together attacca.
The first movement starts off with a headstrong theme on the left hand. This motif has persistent momentum, like a train, and one could think of it as the rays of a setting sun. The beams are straight and relentlessly penetrate our eyes. The seven-bar repetition on the left hand supports this mental image, until the repetition ends and a new thematically central motive starts to emerge, bringing new kind of texture for the last rays and dance of the setting sun. At the end, the light vanishes into the night.
Second movemement, slow rubato, depicts the first rays of the rising sun, they drop behind a morning cloud into the day, growing, developing and becoming yet faster. Eventually the day opens up in all of it sunny glory. The music leads us towards the third movement, in which one bathes in the rays of the sun. The repetative motive of the first movement returns, but by now it has been transformed into something else. A pensive quintuplet-passage emerges, paving ground for the final themes of the work. The ending of the work is thick in sound, depicting the relentless glare of the sun and the heat sun creates. Within the entire work, one can imagine to have gone through a whole 24-hour period on the sea, in which the three strides of light are apparent in different parts of the day.
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