Three Sonatas for Viol (Viola) and Harpsichord BWV 1027-1029 Sonata G major BWV 1027, D major BWV 1028, G minor BWV 1029 by Johann Sebastian Bach Viola - Sheet Music

By Johann Sebastian Bach

The three sonatas for Viola da gamba and Harpsichord obbligato by Johann Sebastian Bach BWV 1027–1029 edited here both in the original version with viola da gamba and in a version with viola have been handed down to us only as separate works. Neither source material nor style indicate that the three works – as, for example, the six sonatas for Violin and Harpsichord BWV 1014–1019 – should be regarded as a whole. It is provable or at least feasible that all three sonatas were not originally conceived for this instrumentation. The musical substance and, therefore, the artistic status of the sonatas were not affected by this transcription.

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Details

Instrument:
Harpsichord Piano Accompaniment Viola Viola da Gamba
Genres:
Baroque Period
Composers:
Johann Sebastian Bach
Publishers:
Baerenreiter Verlag
ISBN:
9790006466740
Format:
Set of Parts
Item types:
Physical
Level:
Intermediate
Musical forms:
Sonata
Artist:
Johann Sebastian Bach
Usages:
School and Community
Number of Pages:
88
Size:
9x12 inches
Shipping Weight:
1.1 pounds

Viola (or viola da gamba) and piano (or harpsichord) - Difficulty: medium

SKU: BA.BA05186

Sonata G major BWV 1027, D major BWV 1028, G minor BWV 1029. Composed by Johann Sebastian Bach. Edited by Hans Eppstein. Stapled. Baroque. Set of performance parts (includes separate pull-out viola and viola da gamba parts). With solo part, piano accompaniment and introductory text. BWV 1027-1029. 88 pages. Baerenreiter Verlag #BA05186. Published by Baerenreiter Verlag (BA.BA05186).

ISBN 9790006466740. 9x12 inches.

The three sonatas for Viola da gamba and Harpsichord obbligato by Johann Sebastian Bach BWV 1027–1029 edited here both in the original version with viola da gamba and in a version with viola have been handed down to us only as separate works. Neither source material nor style indicate that the three works – as, for example, the six sonatas for Violin and Harpsichord BWV 1014–1019 – should be regarded as a whole. It is provable or at least feasible that all three sonatas were not originally conceived for this instrumentation. The musical substance and, therefore, the artistic status of the sonatas were not affected by this transcription.

  • BWV 1027

  • BWV 1028

  • BWV 1029