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Composed by Randy Vincent. This edition: spiral-bound. Jazz Guitar Voicings Series. Jazz, instructional. Method book. Sher Music Company #180. Published by Sher Music Company (SR.180).
ISBN 9781883217662. 8.5" x 11" inches.
Three-Note Voicings and Beyond is for everyone from intermediate newcomers to jazz guitar to very advanced players.
The book develops a unique "dynamic" concept of harmony where three independently moving lines team up to create beautiful harmonies that are valuable for comping, chord melodies and chordal jazz improvisations.
Topics include: --Three-note "shell" voicings and special derived comp voicings --Compete triad review including all close and open inversions on all strings --A section on developing "walking" guitar voicings, harmonized bass lines perfect for accompaniments in situations where no bass or keyboard is present --Sections on triad applications such as "slash" chords, upper structures, hexatonic triad-pairs and special "hybrid" voicings --Quartal and secundal voicings perfect for modal comping and soloing --Drop-2 reductions perfect for melody harmonizations --A complete method to develop a realistic simulation of Shearing-style block-chord voicings on guitar. Plus much more.
Composed by Randy Vincent. This edition: spiral-bound. Jazz Guitar Voicings Series. Jazz, instructional. Method book. Sher Music Company #180. Published by Sher Music Company (SR.180).
ISBN 9781883217662. 8.5" x 11" inches.
Three-Note Voicings and Beyond is for everyone from intermediate newcomers to jazz guitar to very advanced players.
The book develops a unique "dynamic" concept of harmony where three independently moving lines team up to create beautiful harmonies that are valuable for comping, chord melodies and chordal jazz improvisations.
Topics include: --Three-note "shell" voicings and special derived comp voicings --Compete triad review including all close and open inversions on all strings --A section on developing "walking" guitar voicings, harmonized bass lines perfect for accompaniments in situations where no bass or keyboard is present --Sections on triad applications such as "slash" chords, upper structures, hexatonic triad-pairs and special "hybrid" voicings --Quartal and secundal voicings perfect for modal comping and soloing --Drop-2 reductions perfect for melody harmonizations --A complete method to develop a realistic simulation of Shearing-style block-chord voicings on guitar. Plus much more.
Preview: Three-note Voicings and Beyond
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