22832173
Thracian Tale
22832173
22832173
22832173
Copyright Material for Preview Only - Sheet Music Plus
Guitar - Advanced
SKU: DY.DO-1552
Composed by Atanas Ourkouzounov. Score. Les Editions Doberman-Yppan #DO 1552. Published by Les Editions Doberman-Yppan (DY.DO-1552).
ISBN 9782897963323.
I composed "Thracian Tale" in 2024 for George Vassilev. The title refers to the people of Thrace who lived in the Balkans and more particularly in the territory of present-day Bulgaria. The piece is composed in A-B-A form and the language used - as in most of my pieces - is based essentially on modes and rhythms from Balkan music. It is enriched with the use of chromatisms, hemiolas to vary the basic pulsation as well as different instrumental techniques.
J’ai composé « Thracian Tale » en 2024 pour George Vassilev. Le titre fait référence au peuple de Thrace qui habitait dans les Balkans et plus particulièrement dans le territoire de la Bulgarie actuelle. La pièce est composée en forme A-B-A et le langage utilisé - comme dans la plupart de mes pièces - est basé essentiellement sur des modes et des rythmes issues de la musique des Balkans. Elle est enrichie avec l’utilisation de chromatismes, d’hémioles pour varier la pulsation de base ainsi que de différentes techniques instrumentales.
Guitar - Advanced
SKU: DY.DO-1552
Composed by Atanas Ourkouzounov. Score. Les Editions Doberman-Yppan #DO 1552. Published by Les Editions Doberman-Yppan (DY.DO-1552).
ISBN 9782897963323.
I composed "Thracian Tale" in 2024 for George Vassilev. The title refers to the people of Thrace who lived in the Balkans and more particularly in the territory of present-day Bulgaria. The piece is composed in A-B-A form and the language used - as in most of my pieces - is based essentially on modes and rhythms from Balkan music. It is enriched with the use of chromatisms, hemiolas to vary the basic pulsation as well as different instrumental techniques.
J’ai composé « Thracian Tale » en 2024 pour George Vassilev. Le titre fait référence au peuple de Thrace qui habitait dans les Balkans et plus particulièrement dans le territoire de la Bulgarie actuelle. La pièce est composée en forme A-B-A et le langage utilisé - comme dans la plupart de mes pièces - est basé essentiellement sur des modes et des rythmes issues de la musique des Balkans. Elle est enrichie avec l’utilisation de chromatismes, d’hémioles pour varier la pulsation de base ainsi que de différentes techniques instrumentales.
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