They all shall that day come out from Sheba Cantata for Epiphany by Johann Sebastian Bach TB - Sheet Music

By Johann Sebastian Bach

Bach’s cantata for Epiphany (Jan 6th) in 1724 opens with a large choral movement strikingly scored for two horns, two recorders, two oboes da caccia, strings and bc. Featuring remarkable unisono passages, the voices enter somewhat unusually in close imitation from bass to soprano, as if ascending to the heavens, followed by a short choral fugue. The full orchestra returns in the second aria, while the first aria for bass is more modestly accompanied by the two oboes da caccia and bc. In addition to the closing chorale, this cantata (like the two Christmas cantatas of 1723) features a second internal chorale inserted directly after the opening chorus.

Print edition
$10.77
$14.95
You save: $4.18 ~ 28%

WELCOME20 activated

Ships in 2 to 3 weeks
Special order item, ships once received from publisher.
Quantity save 5% on 2 or more
1
Get a 10% discount with SMP Plus subscription

Details

Format:
Study Score
Item types:
Physical
Level:
Grade 3
Musical forms:
Cantata
Artist:
Johann Sebastian Bach
Arrangers:
Paul Horn
Usages:
Epiphany
Main Key:
C major
Size:
DIN A5 inches
Number of Pages:
72
Shipping Weight:
0.31 pounds

Orchestra TB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, 2 corni d'caccia, 2 violins, viola, basso continuo (Soli TB, Coro SATB, 2 Blf, 2 Obca, 2 Cor, 2 Vl, Va, Bc) - Grade 3

SKU: CA.3106507

Cantata for Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. German title: Sie werden aus Saba. Sacred vocal music, Cantatas, Epiphany. Study score. Composed 1724. BWV 65. 72 pages. Duration 18 minutes. Carus Verlag #CV 31.065/07. Published by Carus Verlag (CA.3106507).

ISBN 9790007043872. DIN A5 inches. Key: C major. Language: German/English.

Bach’s cantata for Epiphany (Jan 6th) in 1724 opens with a large choral movement strikingly scored for two horns, two recorders, two oboes da caccia, strings and bc. Featuring remarkable unisono passages, the voices enter somewhat unusually in close imitation from bass to soprano, as if ascending to the heavens, followed by a short choral fugue. The full orchestra returns in the second aria, while the first aria for bass is more modestly accompanied by the two oboes da caccia and bc. In addition to the closing chorale, this cantata (like the two Christmas cantatas of 1723) features a second internal chorale inserted directly after the opening chorus.