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Orchestra Soli SAB, Coro SATB, 2 Ob, 2 Vl, Va, Bc (Soli SAB, Coro SATB, 2 Ob, 2 Vl, Va, Bc)
SKU: CA.3118707
Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Stuttgart Urtext Edition: Bach vocal. Cantatas, Easter and Eastertide, Whitsun. Study score. Composed 1726. BWV 187. 48 pages. Duration 25 minutes. Carus Verlag #CV 31.187/07. Published by Carus Verlag (CA.3118707).
ISBN 9790007242374. DIN A5 inches. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso ("Vox Christi"). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score available separately - see item CA.3118700.
Orchestra Soli SAB, Coro SATB, 2 Ob, 2 Vl, Va, Bc (Soli SAB, Coro SATB, 2 Ob, 2 Vl, Va, Bc)
SKU: CA.3118707
Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Stuttgart Urtext Edition: Bach vocal. Cantatas, Easter and Eastertide, Whitsun. Study score. Composed 1726. BWV 187. 48 pages. Duration 25 minutes. Carus Verlag #CV 31.187/07. Published by Carus Verlag (CA.3118707).
ISBN 9790007242374. DIN A5 inches. Language: German/English.
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso ("Vox Christi"). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score available separately - see item CA.3118700.
Preview: They all are waiting on thee
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